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Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

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A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.

A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.

Tres pescadores barbateños, Manuel (Pablo Carbonell), un hombre bueno al que apodan "Nadando con Chocos"; el Perra (Pedro Reyes), su amigo fiel, y El Cherif (Antonio Dechent), un paria iracundo y orgulloso, intentan sobrevivir como pueden a pesar de la crisis pesquera que vive la costa gaditana.Un día Manolín (Andrés Rivera), el hijo de Manuel, llega a casa con un problema más: quiere hacer la comunión. Algo que provocará más de una sorpresa. Primero porque no está bautizado y segundo porque sus padres ni siquiera están casados. Contagiados por la ilusión de su hijo, María y Manuel deciden ordenar su vida y casarse. María lo organiza todo: arregla con el singular cura del pueblo (Paco Vegara) para que oficie la ceremonia, busca los trajes, invita a los vecinos... Pero claro, no hay boda sin convite. Y eso cuesta dinero. ¿Cómo conseguirlo?

1860, in the Bay of San Fernando, Cadiz. Lola is an Andalusian singer who all men that meet her love. Along with guitarist Heredia, a man who is resigned to love her in silence, she travels to the farmhouse of the wealthy Don Diego, which is also in love with her, to sing in the compromise party of his son Jose Luis and Rosario, his fiancée of childhood. Lola, a woman who never loses her head, is disturbed by the presence of the handsome young gentleman José Luis. Both are attracted and inadvertently awaken the jealousy of Rosario and the envy of Don Diego ... Remake of an eponymous film directed in 1947 by Juan de Orduña

On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.

Biopic of Javier Imbroda, coach and teacher, who transformed people and cities. The story of an overwhelming personality who made everyone win. Imbroda made it possible to take his school team to the national elite, the creation of Unicaja, the Lithuanian revenge or the genesis of 'the family', the best Spanish team in history. The documentary questions the conception of superficial and fleeting success compared to the human and profound triumph that Javier Imbroda represented in all its facets.

A murder is committed in a small village of Andalusia.

Rafael, a Seville citizen who has never left the Spanish region of Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women he has known.

Nora and Tamara are two sisters who survive in a working class neighborhood of the coast. In the midst of a troubled adolescence, Nora's fragile relationship with the world around her is affected by the criminal environment in which her older sister lives.

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Mr. Rosbif is an internationally renowned English chef. In order to take the most famous international recipes to his restaurant in London, he travels the world like an explorer. During a summer he arrives in Cádiz with the intention of finding the unspeakable flavor of the shrimp omelettes so famous in the area.

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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The unauthorized video documentary