The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

Belarusian vlogger and young farmer Semyon, who is a deeply religious man, always loving to philosophize in relation to democracy, admire his mother and share this with the whole world. For five years now, he has been living in a village with two little sons and raise sheep. It would seem that a harmonious existence in the wilderness can not hinder anything...

Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.

In the Brazilian countryside, the village of Monteiros hosts a unique event every year. When a person’s prayers are granted, they offer the village’s dogs a feast. Between religious celebration and popular belief, Lazarus’ Hunger powerfully documents a community coming together.

In the 1980s the breathtaking scenery of the Engadine is the setting of a social tragedy. The local youth rejects the rigid rules of traditional society. Along with juvenile get-togethers, heroin appears in the mountain valley. As more and more die from overdose, society reacts to the crisis by isolating itself and averting its eyes. The film lifts the veil on the stories untold. Can the memories of this bleak past become part of the Engadine’s acknowledged heritage?

In a valley in the Ukrainian Carpathian forest lies the small and forgotten town of Königsfeld. In 1775, the Habsburg Queen, Maria Theresa, sent a hundred foresters and their families here from the Austrian west of the kingdom. All that remains today of the now over two century-old timber industry are factory ruins, potholes in the valley road and an increasingly seldom heard German dialect. Only a few factories survived a flood that cut the village off from the rest of the world, and left it economically isolated. An atmosphere of farewell hangs heavy in the air.

Spain, 1961. Life in the small village of Torrelobatón, in the province of Valladolid, was turned upside down when the cinematic magic circus of a future Hollywood blockbuster, produced by Samuel Bronston, the rogue mogul of his own film empire, came to town: its inhabitants became participants and witnesses of the shooting of “El Cid,” a film directed by Anthony Mann, starring mythical actors Charlton Heston and Sophia Loren. Those days, legends came alive.

Meticulous documentation of the course and rituals associated with a traditional, folk wedding. Images of nature and Masovian landscapes are intertwined in this study with elements of folk culture, the basis of which is the relationship between man and nature.

Griendtsveen, a picturesque village in the Peel on the border between Limburg and Brabant, is in danger of losing its primary school De Driehoek. The school, which has been the beating heart of the village for years, is about to close its doors. Documentary maker Ellis Smulders follows the teachers and parents who are determined to keep their school, if necessary by forming the school board themselves. Will they succeed in preserving the core of the close-knit village community, and thus the soul of the village?

A docu-comedy about three neo-hippies from Berlin who move to a farm in Poland to be closer to nature. They meditate, practice acroyoga and shower in the garden. The villagers consider them complete eccentrics.

Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.

Documentary about the sisters Lene and Berta who live in a village in Thuringia.

In the Greek village of Sugar Town, men have a serious problem. Women are fleeing the area in search of work or marriage in the big cities, leaving them behind - and lonely. Fully aware of the men’s dire situation, the astute mayor of Sugar Town promises to find them wives in Russia, as part of his re-election campaign. Against the odds and local traditions which frown upon mixed marriages, the bridegrooms from SugarTown set out on a great journey to find their future brides and happiness.

Don Emilio is a humble, 63-year-old man who lives in the Amazon rainforest, seven miles from the city of Iquitos, Peru. For all of his adult life he has worked as a curandero and vegetalista, a traditional healer. He estimates that in his career he has treated more than 2,500 clients. Through the camera lens of anthropologist Luis Eduardo Luna, Don Emilio tells us about his practice, his beliefs, his community, and his life. He shows us how he prepares ayahuasca and other herbal medicines. Finally, we see Don Emilio treat a man who has come to him for help, and hear from a poor woman who has brought her infant son for medical care.

IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.

Social, cultural, and historical changes in a village, the first film of Koepp's “landscape” series.

In a document from November 1st, 1007, Wellerstadt is mentioned for the first time verifiably. The royal couple Heinrich and Kunigunde make the plan to establish a diocese, with Bamberg at its centre. During the imperial synod in Frankfurt in 1007, the bishops approve the plan. Heinrich transfers his royal court Forchheim together with 14 villages, including Wellerstadt, to the diocese. As “Waldrichesbach”, Wellerstadt is not only presumably earlier mentioned in documents than Baiersdorf but is in fact older than Baiersdorf. A once presumably Thuringian settlement at the river Regnitz has by now become the district of the small Franconian town of Baiersdorf: Founded at a ford, destroyed during the Thirty Year’s War, rebuild, often flooded by the Regnitz, pushed back and forth between the diocese and the margraviate. Waldrichesbach has turned into Wellerstadt, an endearing small village in Middle Franconia.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.