According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

In this powerful tale about the rise of Korea’s global adoption program, four adult adoptees return to their country of birth and reconnect with their roots, mapping the geographies of kinship that bind them to a homeland they never knew.

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There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.

The movie, which seemed likely to be a video study by a local researcher on comfort women in the military camp town, is becoming an increasingly fictional world, including visits by the dead, resulting in historical, fantastic and allegorical results.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Hyun Soonjik is the oldest living resident in Jeju Island. A natural diver with good skills, she became a high rank Haenyeo at an early age and has led an astonishing career of diving for eighty-seven years. Though she looks more comfortable when she is under water than when she is at home, she quit diving in October, 2020, and goes to sea every day, missing her old life as a diver. When she does, Chae Jiae who has been disciplined by Hyun, accompanies her and looks after her. Together they head for Deulmoolyeo, a place that only Hyun can find, to see the water flowers that bloom under water.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Documentary about the struggle of the people of Jeju Island, South Korea. Set in the context of the U.S. presence in Korea after World War II, the film reveals horrible atrocities at the hands of the U.S. Military Government of Korea.

Let's look back at the 18th presidential vote. The 13,500 ballot boxes were taken to 251 ballot count locations and were sorted by 1,300 automatic ballot openers. The chairman announced the sorted data and soon it was announced to the public. But something strange happened. The 251 ballot count locations found 'a number' that have the same pattern. Scientists, mathematicians, statistician and hackers from all over the country start looking into the secret of 'this number'. The result is tremendously shocking...

Seven months pregnant and apprehensive of the effect motherhood would have on her career as a professional freediver, Kimi Werner took a trip to the island of Jeju in South Korea to meet her heroes, the haenyeo – a group of freediving and fishing women often regarded as Korea’s first working mother’s whose culture dates back centuries.

Hot Docs will commemorate Canada's 150th anniversary of Confederation with the commissioning of In the Name of All Canadians, a compilation of six short documentaries inspired by Canada’s Charter of Rights and Freedoms. From Indigenous rights to multiculturalism to the controversial ‘notwithstanding clause,’ participating filmmakers have each selected a specific aspect of the Charter to explore, looking at how it resonates in the stories of their fellow Canadians.

The small county of Seongju staged protests against the THAAD. Young mothers led protests from concerns about their kids and the exposure to radiation. Gradually, they learn the system is faulty.

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

A collection of shorts made by various directors in response to 9/11.