Armed with skulls, black makeup, wild outfits and high mohawks, this gothic trinity fights to gain control of and thus free themselves from their loneliness and inner demons as well as pressure from authorities, which they feel disturbed and controlled by. But one day, Josephine meets the beautiful guy, Jan, on Instagram and falls head over heels in love with him and the precious trio friendship is put to the test.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.

Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship

Ricardo, Natalia's father, suffers from Parkinson's disease; in that condition he stopped producing Dopamine. Surviving a very strong family crisis, Natalia told them her sexual orientation. She does not understand why after being left-wing militants and fighting for equality and freedom, they could not accept her choice.

Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.

There is no description

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

Sally Ride's groundbreaking journey as the first American woman in space concealed a deeply personal story. Her life partner, Tam O'Shaughnessy, unveils their covert 27-year romance and its accompanying sacrifices.

Amid shifting times, two women kept their decades-long love a secret. But coming out later in life comes with its own set of challenges.

Barbara Wong interviews HK women (of all ages (even 4 year olds), all walks of life, all sexual preferences, singles, wives, mistresses, prostitutes) with an all women crew and gets some wild and frank responses. The documentary is bold, honest, funny and touching. Highly recommended to any man who wants to understand women better and any woman who wants a fun girls' night out.

In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.

It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.

"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.

Through letters, diaries and personal testimonies, an account of the complexity and variety of experiences of LGBT Italians during the Fascist dictatorship of Benito Mussolini (1922-43); intimate words that contrast with the lyrics of popular songs and the propaganda of the time, obsessed with extolling the myths of virility, femininity and motherhood and constrained by sexual repression.

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".

Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.