Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A short filmed in Brasil (Brazil). The short showcases the Brazilian state of Minas Gerais, mainly the country side.

Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

Short film directed by Walter Knoop

Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.

An ex mobster reflects on love and loss after spending 32 years in prison.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

In 1957, Charles and Ray designed the Solar Do-Nothing Machine for Alcoa, the Aluminum Company of America. True to the Eameses’ belief that toys are not as innocent as they appear, the machine was one of the first uses of solar power to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the wonderful machine. He cut it together to produce a new film that shares a bit of its flavor for future generations to enjoy.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Short film about light and weather phenomena

Lost and Found provides an in-depth focus into the Myanmar military’s campaign of ethnic cleansing and violence perpetrated against the Rohingya, and one man’s life mission to reunite separated Rohingya children with their parents.