A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.

A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

When German police viciously quell a protest against the shah of Iran, popular journalist Ulrike Meinhof rebels against her dishonest marriage, walks away from her children and joins radical anarchist Andreas Baader. Together with Baader's girlfriend, Gudrun Ensslin, they form the violent Red Faction Army, and together perpetrate a slew of terrorist attacks as a way of disrupting the fabric of what they see as an increasingly fascist state.

Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!

Under the thumb of Nurse Baker, Nurse Maggie Collins struggles to care for the long-term residents of Moss Oak Manor, a home for the elderly. When good intentions are misinterpreted, Maggie must struggle to address issues of ambition and ethics.

In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

Steven Ray was never quite normal. But when tragedy strikes in the form of a deadly hit-and-run incident at a city cross walk, his violent and bizarre behavior becomes uncontrollable. One night, as Steven plots his next murder, he meets Percival, whose unsuccessful attempt at suicide not only interferes with Stevens plans, but the chance encounter also introduces the two into each others sad and lonely lives. Percival believes hes cursed after miraculously surviving each suicide attempt and concludes fate brought he and Steven together. So he hires Steven to assist him in suicide. Steven does not believe in fate and thinks Percival is desperate and delusional. But he accepts the offer. Easy money. After Percival continues to miraculously survive each attempt on his life, Steven starts to believe. He tries to help Percival figure out ways to break the curse. And in the process, they form an unlikely friendship through the common bond of tragedy.

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.

After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il. This revolutionary work is also popular among the Chinese, especially those who lived through the Cultural Revolution, and have fond memories of revolutionary antics.

The operatic version of the famous story about a governess who fears her two charges are possessed.

Strauss's opera adapted to the screen by Gotz Friedrich.

In 1924, Oskar Matzerath is born in the Free City of Danzig. At age three, he falls down a flight of stairs and stops growing. In 1939, World War II breaks out.

In 26 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.

Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.

Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.