This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly

A man hunts divine beings in a city that is falling into decrepitude. The society may have turned its back on him, but that doesn't stop him from moving forward in his endless search.

Nowadays, in Tristan da Cunha. 270 people live on this small island in the middle of the Atlantic Ocean. Nick and Anne, two teenagers, have known each other since their birth, and are lovers since childhood. But Anne's just made up her mind: she's going to study in England, 6152 miles away from Tristan.

Commemorates the centennial of American movies with a montage of clips and music scores from the most important movies of the century.

Young kids face off in a dance competition.

Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.

17-year-old Arend lives with his parents and hasn't come out of the closet yet. His first step into the gay world of love is on a date with handsome Michael, a guy he met on a gay dating site. They arrange to meet and Arend ventures to the other side of the country only to discover that Michael is not quite what he imagined.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

Pop Warner shows 1890s football equipment and explains to his modern 1931 team how the game was played.

Fifteen-year old Cihan accompanies his grandmother on a journey to Turkey, to attend a wedding. They have not much in common and have to spend a whole day together in Istanbul.

Masses moving across the sweltering concrete, to the glass towers and into the subway mouths, eyes glued to the little screens, inhaling the images from halfway around the globe, oblivious to the life at their own feet.

Simon appears to be everyone's best friend, while in reality he is a jealous, manipulative schemer. He coldly focuses on destroying the only meaningful relationship his best friend Ken has ever had, with a girl called Heather. Will he succeed and what will he gain out of tearing them apart? Let the games begin...

The story picks up after an unexplained disagreement between two brothers, Goat and Aaron. To work out their differences, they take a hike together. The beauty of nature brings them back together, but the violence in Goat's heart can't be controlled and it pulls him under.

A man has a panic attack in the street, at night. Because?

What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.

The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.

As a young couple discuss the idea of giving up smoking, the sounds of a neighboring argument spill into their flat. The argument makes them question their own marriage, while doing nothing about the neighboring situation. Meanwhile, a young teenager argues with his mother as he tries to sneak out to a party with friends. His mother blackmails him into staying home, using his guilt against him.

The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.

Mutar, who fought in the war, is back in Guinea. In his luggage, he brings strange objects. Fatu, his daughter, takes the opportunity of Mutar's absence to open his bag. Shortly afterwards, Fatu's boyfriend Idrissa finds Mutar with his hand soiled in blood and Fatu dead. It is then that Idrissa picks up a drum.

The day his computer turns into sand, Crassus, brilliant trader, goes insane. Counting the grains of sand like gold, it is lost in the Syrian desert where, as its namesake, the avid triumvir, he finds a tragic death.