His work illustrates people. Densha Tattoo reflects on craft, inspiration and the scene. — What is the essence of a human being? One stitch at a time. A portrait about the tattoo artist.

Exclusive access to chief diplomat of the EU Federica Mogherini as Europe faces a crumbling world order.

The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.

At the close of Jacques Chirac's life, politician Jean-Louis Debré has wished to make a film to celebrate his friend, to tell the story of their friendship and professional understanding, and to make an intimate portrait of the former President of France through the accounts of a few very close friends. Thanks to Jean-Louis Debré's presence, Claude Chirac and some of Jacques Chirac's closest friends, famous or unknown, agreed to talk to the camera, sometimes for the first time, to evoke their untold-before memories and tell about the moments that bonded the two men for a lifetime.

Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the past by finding himself in a small ghost town in the western part of Jalisco, San Sebastián del Oeste. Almost 40 years later, he wants to go back to his hometown, try to regain his daughter's love and be a part o his granddaughter's life.

Djibi and Ange, two teenagers living on the streets, arrive at the Archipel, an emergency shelter in the heart of Paris. This documentary is a look at the Archipel, a shelter offering an innovative way to welcome families living on the streets.

Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.

Ivan, first tsar of Russia. History will remember him as "the Terrible. Russian people love him for centuries. He liberates Russia from foreign oppressors, demands absolute obedience and loyalty in order to radically modernise Russia? Ivan IV, Grand Duke of Moscow, first Tsar of Russia by the grace of God. A madman? A sadist?

Experimental film inspired by Andy Warhol's 'Sleep'.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

The story of the children who work 12-14 hour days in the fields without the protection of child labor laws. These children are not toiling in the fields in some far away land. They are working in America.

When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.