Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw

Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle.

An interesting entry in Republic Pictures' long-running "Red Ryder" B-Western series, this film is not about hardy settlers braving the Colorado winters, as the title would suggest. Instead it's a sort of Reform School Western about a couple of wayward Chicago boys (Billy Cummings and Freddie Chapman) taken in by Ryder's indomitable aunt, "The Duchess" (Alice Fleming.) The boys escaped their very own "Fagin," Bull Reagan (Roy Barcroft), and were given a second chance on the lady's Western ranch. Unfortunately, Reagan returns to do a bit of cattle rustling, once again luring the boys into becoming his accomplices.

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

Red Ryder tries to warn a duchess that her newfound beau has a history of murdering his wives.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.

Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…

During the Klondike Gold Rush, a misanthropic cattle driver and his talkative elderly partner run afoul of the law in Alaska and are forced to work for a saloon owner to take her supplies into a newly booming but lawless Candian town.

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.

The ranch of Red Ryder (Allan Lane) and his aunt, The Duchess (Martha Wentworth), is being used as the training site for "Gentleman Jim" Corbett (George Turner) for his upcoming fight in Carson City, Nevada for the heavyweight championship against Bob Fitzsimmons (John Dehner). Molly McVey (Peggy Stewart), the daughter of a U.S. Senator, crusading against prize-fighting in Nevada, complicates matters soemwhat when she conceives the bright idea of having Corbett kidnapped, thus causing the cancellation of the fight. The two men (George Chesebro and George Lloyd) she hires to do the kidnapping also add to the complications by kidnapping Ryder instead of Corbett. Meanwhile, a gang of crooks, led by McKean (Roy Barcroft), descend on the town intent on looting the town and also making off with the fight proceeds.

Red Ryder battles an unscrupulous fur thief named Hunter for the right to trap beaver and otter on the land of Chief Running Fox.

The Duchess, the aunt of Red Ryder, comes to town to protect her property. Crawford, a town big-shot behind an outlaw gang, tries to prevent her from reaching her destination, but the attack is thwarted by Red. The latter is made town marshal, and when he gets too close to the truth and is making it too hot for the Crawford faction, Crawford has his henchman Luke kidnap Red's Indian friend Little Beaver.

Clay Morgan kills Joel Potter and Marshal Manning has to arrest the brother of the girl he plans to marry.

A honest cowboy is falsely accused of the murder of a rancher.

A town is cleared of crime when a group of cowboys under the direction of Hayden battles an outlaw gang. They also manage to restore the reputation of a friend wrongly accused of murder.

Two men with questionable pasts, Glyn McLyntock and his friend Cole, lead a wagon-train load of homesteaders from Missouri to the Oregon territory...

Rocky and the Land agent riders need to get an important message to the Army post. The message is stolen but Rocky knows one of the four men on the stagecoach has it. When Rocky and the four get trapped in a shack by the outlaw gang, he learns that one of the four is the gang leader. Rocky has to learn his identity and retrieve the message.

A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.

Down-and-out cowhand Jim Garry is asked by his old friend Tate Riling to help mediate a cattle dispute. When Garry arrives, however, it soon becomes clear that Riling has not been entirely forthright. Garry uncovers Riling's plot to dupe local rancher John Lufton out of a fortune. When Lufton's firecracker of a daughter, Amy, gets involved, Garry must choose between his old loyalties and what he knows to be right.

In this western, Red Ryder leads a wagon train of homesteaders into a ghost town and discovers that it has become an outlaw's hideout.