An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.

Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.

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Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.

Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.

Aarne marries Martta because his mother tells him it is his duty as the eldest son to marry a wealthy girl. However, the attractive school teacher Ilona arrives in the village and causes complications when Aarne falls in love with her.

Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.

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Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.

Bill Parrish has it all - success, wealth and power. Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black, who soon reveals himself as Death. In exchange for extra time, Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan?

When an Italian man comes out of the closet, it affects both his life and his crazy family.

In a certain village, a pretty girl marries an older, not very attractive shoemaker. He is sensible, prudent, and enjoys a quiet family life, while she has a good heart but is short-tempered. That is why they quarrel all day long. The master, dissatisfied with married life, longs for something better. When the cobbler has had enough of everything, he decides to go out into the world. This changes the master completely. In his absence, she beautifies him in her imagination until she creates an image of a perfect, model husband. She rejects all suitors and bravely earns her living as an innkeeper. The shoemaker returns in disguise after some time. When he is convinced that his wife has been faithful to him, he makes himself known to her and hopes that she will welcome him with open arms. But he is bitterly disappointed; the dream has vanished, the mistress has realised the difference between her fantasies and reality, so that their life once again returns to its old ways.

A little-known adaptation of Jaroslav Vrchlický's play is returning to the television screen, full of humorous plots, telling the story of the courage of two women in love who, because of their love, infiltrated Karlštejn Castle, where women are forbidden to enter by order of the monarch. It was created with a number of star actors eight years before the now legendary film adaptation by Zdeněk Podskalský. When it premiered in 1965, it aroused a stormy, positive and negative response. Quite naturally, because Filip's concept of this classic play, albeit in the authentic setting of Karlštejn Castle, was completely new and unconventional at the time. This adaptation of the classic original uses the melodies of popular Czech and foreign hits with lyrics by P. Kopta. For example, the ruler's arrival at the castle was announced by the melody of the popular song Jó, třešné zrály. However, professional singers mostly sing for the actors here.

Vlasta Burian appears in a town of Czarist Russia impersonating an Inspector General, and he is entertained lavishly by the local political-hacks and peasants seeking his favor for whatever they are advocating or need fixed. Burain is involved in a series of comical situations as he takes everything he can gets his hands on while the peasants, who must plead for the betterment of their conditions, are left on the outside-looking-in. He makes his escape just as the real Inspector General is set to appear, but those-in-need will be no better off when the real McCoy shows up then they were with Burian.