The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

In 1908, amateur naturalist and pioneering filmmaker Percy Smith stunned early cinema goers with his footage of the juggling fly. Hailed as the father of Natural History film, Smith was a hugely influential visual pioneer, inventing many techniques that are still used today. Being both a genius and an eccentric, we follow his life from his earliest films, to the collapse of his house from his mould experiment to his ultimate suicide. We also meet Natural History icon Sir David Attenborough, who was so amazed by Smith’s films in the 1930s that they inspired him to get into natural history.

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

An unconventional documentary that lifts the veil on what's really going on in our world by following the money upstream - uncovering the global consolidation of power in nearly every aspect of our lives. Weaving together breakthroughs in science, consciousness and activism, THRIVE offers real solutions, empowering us with unprecedented and bold strategies for reclaiming our lives and our future.

This documentary was broadcast on the Turner Classic Movies (TCM) cable channel to kick off the presentation of films related to TCM's theme of the month for September 2001. Actors Lee Grant and Paul Mazursky, producer Roger Corman, director John Carpenter, film critic Molly Haskell, and journalist Peter Biskind discuss the issues involved in six films of the 1950s. Topics include teenage loneliness, youth rebellion, changing gender roles, and the beginning of the sexual revolution.

A behind the scenes look at the making of the movie M*A*S*H. The documentary reveals all of the chaos, politics, and conflict that was going on behind the scenes during production of the movie through new interviews done with director Robert Altman as well as Richard Zanuck, who was head of production for 20th Century Fox at the time, and others.

From the earliest versions of the script to the blockbuster debuts, explore the creation of the Star Wars Trilogy.

An intense portrait of the iconic filmmaker, writer, actor, comedian and musician Woody Allen: his life, family and friends; his writing and directing habits, and his relationship with performers.

Mark Patton sets the records straight about the controversial 1985 sequel to A Nightmare on Elm Street, which ended his acting career, just as it was about to begin.

Eisenstein shows us Mexico in this movie, its history and its culture. He believes, that Mexico can become a modern state.

In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.

A candid portrait of writer/director Nora Ephron, directed by her son, journalist Jacob Bernstein.

Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.

When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.

Among the legends of Hollywood, George Pal takes his place as a true visionary, an innovator and a showman who profoundly shaped the art of motion pictures. A peer of Walt Disney, Pal pioneered stop motion animation and went on to virtually invent the modern science fiction and fantasy film genres. Pal's extraordinary genius molded a dazzling array of films, which earned an incredible total of eight Academy Awards and left a cinematic legacy that served as formative inspiration for the movies of George Lucas, Steven Spielberg and Gene Roddenberry.

The history of color photography in motion pictures, in particular the Technicolor company's work.