Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

Can fiction surpass reality?

The story of a salesman who deals with implants that allow the user to blur the line between reality and dream.

The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.

Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".

Tells the story, through surrealist and oniric images, of an alien invasion that feeds on spanish children.

The story tells of an extraterrestrial invasion in which the aliens kidnap bodybuilders for reasons that escape our understanding.

A brother and sister become trapped in a fake spiritual cult and must overcome high tech brainwashing to get free.

The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.

The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission. This marks the directorial debut of Rob Schrab (Creator of Scud: the Disposable Assassin and Heat Vision and Jack).

Set in the distant future, Connected is a story about survival and greed with a post apocalyptic wasteland as its backdrop. Survivors of an unknown disaster shuffle through a desolate landscape, as it quickly becomes clear that not everybody has the strength to survive.

A 20-minute sci-fi espionage short film that demonstrates how a small quiet victory tips the balance of power and foretells the outcome of World War II.

Assassins hired by a corporation try to steal a breakthrough serum called Ambrosia, but the sample ends up in the bag of a young woman who becomes their next target.

After the cataclysmic war that all but destroyed civilization, Authan O'Reilly, a soldier now charged with building rather than destroying, has gone AWOL, in search of his past. As his long search draws to a close he arrives at a once thriving city, now a deserted ghost land, he pushes onwards in the hope that he may find some clues amongst remnants of the past.

Allie wakes up, after taking her own life, in a room filled with memories in the form of photographs, negatives and slides that cover the floors and walls. Unable to move onto the other word, she slowly realizes that she can relive each memory. Allie comes to understand that the memories are picked by the room she now inhabits, forcing her to deal with problems she was originally running from.

In a city transformed by a diluvian cataclysm in the distant future, a young indigenous shaman woman's vision is strangely related to a similar vision of an old man's deceased wife across a vast span of time. In their visions the world's future shall be revealed.

2154. To become a son of chaos, and protect the people, Oca, a young warrior, has to succeed three tests, including killing a howler, an horrible creature.

Hugh and Erwin were strangers when a chance encounter changed both of their lives over the course of 10 minutes. Hugh's skeptical sarcasm toward Erwin's peculiar fascination with quantum theory turns dead serious when Erwin provides answers to Hugh's inexplicable life.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Tasha Grant, at age 17, goes to a party and gets drunk, not even realizing the potential consequences of her actions. This film introduces the danger of alcohol to youth.