Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.

A documentary that explores the challenges that a life in music can bring.

The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #8 was of a concert on March 15, 1952, at Carnegie Hall, featuring Sibelius's En Saga, two of Debussy's Nocturnes, and Franck's Redemption. (Concerts #8 and #9 were released on "Vol. 5" in the DVD series.)

Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.

The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #9 was of a concert on March 22, 1952, at Carnegie Hall, featuring Beethoven's 5th Symphony and Respighi's Pines of Rome. (Concerts #8 and #9 were released on "Vol. 5" in the DVD series.)

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

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A thoroughly researched biopic of Charles Ives, America's greatest and most innovative composer (and insurance executive), who combined strikingly futuristic experimentalism with gentle nostalgia. Includes narration taken directly from Ives's own writings, and reminiscence from those who knew him.

"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.

This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.

A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.

At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of “prima donna assoluta.” On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities...

Benjamin Britten's monumental anti-war oratorio from the Vladislav Hall of Prague Castle in memory of war veterans and victims. British composer Benjamin Britten wrote War Requiem in 1962 on the occasion of the restoration of the war-damaged cathedral in Coventry. He used the traditional, codified Latin text of the requiem – a mass for the dead – interspersed with verses by Wilfred Owen, a British officer who wrote his poems directly in the trenches of World War I. More than two hundred artists then joined their voices in the Vladislav Hall of Prague Castle as part of the Prague Sounds festival for a symbolic performance of the work, which is rarely performed due to its demanding nature and large cast.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).