Sign In / Sign Up

Touch of Evil

Touch of Evil
Release date: 1958-03-30
Rating: 7.755
Votes: 1480
Genres: Crime, Thriller
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.

Reviews

Wuchak

Wuchak

Welles/Heston B&W cult noir is great on a technical level, but meh as a viewing experience On the Texas border a Mexican detective (Charlton Heston) assists an American investigation into a shocking murder of an American official on the border, but he soon learns that the imposing & slovenly Sheriff (Orson Welles) is shady with a penchant for framing. Janet Leigh is on hand as the detective’s new bride, an American. “Touch of Evil” (1958) was written/directed by Welles (loosely based on a book) and has a huge reputation as a B&W noir-ish cult flick. There ARE interesting technical things going on as far as camera angles, lighting and impressive long takes (e.g. the opening sequence). It also has a notable classic cast with Leigh thoroughly stunning, not to mention Joanna Moore, Marlene Dietrich, Joi Lansing and a cameo by Zsa Zsa Gabor on the female front. Yet I otherwise found the picture talky, nigh surreal and noticeably hokey with an unengrossing story and dubious acting, e.g. the hooligan Mexicans and the eye-rolling Shakespearean lunatic “night man” (Dennis Weaver). Seriously, viewing this film is like entering Welles’ head on an acid trip. That said, the film offers quite a bit to digest and I could see it playing better on additional viewings, which explains its cult status, but I’m not interested. There are far more fascinating and compelling B&W dramas with noteworthy casts from that general era, like “The Misfits” (1963). I viewed the long reconstructed version, aka the “director’s cut,” which runs about 110 minutes while the original studio-butchered version runs 93 minutes. Interestingly, the film wasn’t shot anywhere near the border, let alone the Texas border, but in freakin’ Venice, Los Angeles. GRADE: C

CinemaSerf

CinemaSerf

We start with a man putting a bomb in a car on the Mexican side of the border. When it explodes on the American side flattening the occupants, the local "Capt. Quinlan" (Orson Welles) decides to make a bit of a cursory investigation - in cahoots with his opposite number "Vargas" (Charlton Heston). Whilst they are out doing their sleuthing, "Susan Vargas" (Janet Leigh) is lured to a meeting with "Uncle Joe" (Akim Tamiroff) where it becomes clear that her husband is on the prosecuting side of a family dispute that is putting everyone in danger - something her husband finds out shortly afterwards when he narrowly avoids an acid facial. Now "Quinlan" and his sidekick "Menzies" (Joseph Calleia) have a rather unique way of working - the former intimidates just with his presence and has the District Attorney in his pocket, but as this investigation starts to spread out the original crime pails into insignificance as "Susan" finds herself trapped in an out of town motel and the potential victim of a ghastly drug crime that brings the threads of the story - and the true criminality to light - fatally. There are five principal characters and the actors do justice to them all - the story moves along darkly offering plenty of interest, the odd red herring and a particularly strong effort from Welles as the increasingly unlikeable policeman. I was slightly dubious about Heston playing a Mexican policeman, but here carries of the role in one of his better screen performances (when he is not wearing leather garments) and Janet Leigh - well, she was always an actor who made it all look effortless. The ending combines the scary with the brutal but will the truth be out? Big screen must for the full potency of the last twenty minutes.

Filipe Manuel Neto

Filipe Manuel Neto

**It's not Orson Welles' best work, and there are some problems and wrong choices, but it's still a worthwhile film.** One crime and two totally different men: this sentence almost sums up the entire film. Director Orson Welles is one of those monsters that we are used to having like a “sacred cow”, who turns everything he touches into gold. And really, he is responsible for great films and was an excellent artist, who understood cinema like few others did. However, in this film, his work was absolutely trampled on by stupid studio managers, and the result of this is that it was only very recently that it was possible to have access to a version of this film that was similar to what its director's creative vision was. . Just similar! And what we have here is an incredibly complex film that we cannot summarize as easily as I did: the initial crime is just the incident that triggers the action, and its relevance, we found, is really insignificant. What counts here is the struggle of personalities, the battle between the conflicting egos of two police officers who decide to solve the case, each in their own way. In fact, it is not the most appealing film that the director's career has given us, but it is still valuable for that reason. And to understand Welles' vision, it's not enough to see the film once. We have to understand nuances that go unnoticed by an inattentive eye. It's an exercise for cinema experts, more than for me, who am part of the common popcorn-eating public, but even I saw that the work before me deserved to be seen in detail. The film that has come down to us allows us to see the brilliance of Welles, who was also responsible for the dialogues and the script created, full of twists and turns that can complicate things a little for us if we are not paying attention, and, but it also gives us good actors in a decent dramatic exercise. Charlton Heston is a safe bet, but it's also a big casting mistake: he's too Anglo-Saxon to be credible as a Latino! Welles brought the other main character to life, and is effective and dominant in the role. To a certain extent, he never seems like a police officer, but just another criminal in a land where those in charge are those who impose themselves through violence. Even so, I noticed that he is a physically worn-out man, and this fragility ruins the effect he intends to achieve. Technically, the film has many qualities, starting with the cinematography, which in Welles' films is almost always one of the director's signatures. In addition to the use of intelligent visual effects, the director dedicated himself to the camera work and the choice of each perspective, each framing, and also in the editing, which was ruined by the studio's intervention. The filming locations and sets are realistic and convince us quite well, and the soundtrack is effective.

Movie Recommendation

  • The Trial
    The Trial
    1962-12-21
    The surreal tale of an unassuming man who is accused of a never-specified crime and shambles through bizarre encounters to escape this nightmare.
    More...
  • The Stranger
    The Stranger
    1946-07-02
    An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.
    More...
  • The Lady from Shanghai
    The Lady from Shanghai
    1947-12-24
    A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
    More...
  • The Ladykillers
    The Ladykillers
    1955-12-08
    Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.
    More...
  • We Steal Secrets: The Story of WikiLeaks
    We Steal Secrets: The Story of WikiLeaks
    2013-05-24
    Julian Assange. Bradley Manning. Collateral murder. Cablegate. WikiLeaks. These people and terms have exploded into public consciousness by fundamentally changing the way democratic societies deal with privacy, secrecy, and the right to information, perhaps for generations to come. We Steal Secrets: The Story of WikiLeaks is an extensive examination of all things related to WikiLeaks and the larger global debate over access to information.
    More...
  • Mr. Arkadin
    Mr. Arkadin
    1955-08-09
    Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.
    More...
  • Numb
    Numb
    2007-04-30
    Hudson Milbank is a successful Hollywood screenwriter who suddenly and strangely finds himself without any emotional feelings. He tries doctor after doctor and shrink after shrink, but nothing works. The Golf Channel, lesbian exercise classes and a dizzying variety of pills get him through the day, but don't quite solve his problem. His writing partner tries everything to get him back to normal, but it's not until Hudson meets Sara that he finds a real motivation to get better and to actually start feeling again. From the writer of Deuce Bigalow, comes NUMB, a romantic comedy following an unusual man looking for strange love.
    More...
  • Baron Blood
    Baron Blood
    1972-02-25
    A young man, Peter, returns to Austria in search of his heritage. There he visits the castle of an ancestor, a sadistic Baron who was cursed to a violent death by a witch whom the Baron had burned at the stake. Peter reads aloud the incantation that causes Baron Blood to return and continue his murderous tortures.
    More...
  • Brute Force
    Brute Force
    1947-07-16
    Timeworn Joe Collins and his fellow inmates live under the heavy thumb of the sadistic, power-tripping guard Captain Munsey. Only Collins' dreams of escape keep him going, but how can he possibly bust out of Munsey's chains?
    More...
  • Odd Man Out
    Odd Man Out
    1947-01-30
    Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.
    More...
  • Pink Narcissus
    Pink Narcissus
    1971-05-24
    An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.
    More...
  • The Devil
    The Devil
    1988-03-01
    Young Polish nobleman Jakub is saved from imprisonment by a stranger. In return, the stranger wants to obtain a list of Jakub’s fellow conspirators. As he follows his mysterious savior across the country, Jakub is affected by the overall chaos and moral corruption; he goes insane and becomes a mass murderer.
    More...
  • The Enforcer
    The Enforcer
    1951-02-24
    After years of investigation, Assistant District Attorney Martin Ferguson has managed to build a solid case against an elusive gangster whose top lieutenant is about to testify.
    More...
  • The Young Lions
    The Young Lions
    1958-04-02
    The lives of three young men, a German and two Americans, during WWII.
    More...
  • Kleines Arschloch - Der Film
    Kleines Arschloch - Der Film
    1997-03-06
    Want to know what a successful day in the life of the little asshole looks like? Yes? Well, after you have successfully disturbed your parents' lovemaking, you concentrate on your own libido. This, slightly disturbed, forces you to strain the weak heart of pensioner Mrs. Koschmidder with unambiguous offers.
    More...
  • Sherlock Holmes in Washington
    Sherlock Holmes in Washington
    1943-03-24
    In World War II, a British secret agent carrying a vitally important document is kidnapped en route to Washington. The British government calls on Sherlock Holmes to recover it.
    More...
  • One Night with the King
    One Night with the King
    2006-10-10
    In Biblical times, a girl disguises her Jewish origins when the Persian king comes looking for a new bride among his subjects.
    More...
  • Partisan
    Partisan
    2015-04-29
    On the edge of a crumbling city, 11-year-old Alexander lives in a sequestered commune alongside other children, their mothers, and charismatic leader, Gregori. Gregori teaches the children how to raise livestock, grow vegetables, work as a community - and how to kill. With the birth of a new baby brother weighing on his mind, Alexander begins to question Gregori’s overpowering influence on the children and their training to become assassins. Threatened by his increasing unwillingness to fall in line, Gregori’s behavior turns erratic and adversarial toward the child he once considered a son. With the two set dangerously at odds and the commune’s way of life disintegrating, the residents fear a violent resolution is at hand.
    More...
  • Felicia's Journey
    Felicia's Journey
    1999-10-08
    Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks unsettling secret.
    More...
  • The Scarlet Empress
    The Scarlet Empress
    1934-05-09
    During the 18th century, German noblewoman Sophia Frederica, who would later become Catherine the Great, travels to Moscow to marry the dimwitted Grand Duke Peter, the heir to the Russian throne. Their arranged marriage proves to be loveless, and Catherine takes many lovers, including the handsome Count Alexei, and bears a son. When the unstable Peter eventually ascends to the throne, Catherine plots to oust him from power.
    More...

Similar Movies