A day in the life of Esperanza, a Quechua girl who lives in the remote mountains of southwestern Bolivia.

In a remote Peruvian city, lives Honorata Vilca, an illiterate woman of Quechua descent who sells candies more than 20 years ago, with the rain will cry to the sky itself.

Dramatic testimony of Gregorio Condori Mamani, who works as a porter in Cusco, Peru. Despite the huge effort they make everyday for a few coins, porters fall and find death in the streets.

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Aggregate States of Matters highlights the ambiguous relationship between humans and nature. For her new 35mm film shot in Peru, Rosa Barba worked with communities that are affected by the melting of a glacier and geological time becoming exposed. Barba shows the slow disappearance of the glacier and the perception of this fact within the Quechuan population in the Andes. While exploring different local myths, she outlines the possibility of translating ancient knowledge into the present time.

An indigenous tradition in the highlands of Peru where three key players take part: a wild condor, a raging bull and brave young men.

The opposite lives of a workaholic architect and a fiery artist are upended when their chance encounter in breathtaking Peru shifts their views on life.

The Sugar Plum Fairies are fairies responsible for controlling the change of the seasons. To accomplish this, there are different types of them to control over each season. Every time one type is done, they fall to sleep to allow the next group of fairies to perform their task in the seasonal cycle.

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

When seven archaeologists find an ancient Inca temple, they become victims of an ancient curse. Back in Europe, one by one they fall into a deep sleep and only once a day, all at the same time, they wake up for a few minutes and experience hallucinations where the sinister living mummy of Rascar Capac appears.

A group of rich teenagers from Lima travel to Cusco looking for drugs, parties and sex. One of them wants to find Pamela, who he met when they were kids. In that quest, his friends and him will get to know a world of violence, perversion and disenchantment.

Maribel and Carmencita are two indigenous girls who work in Cuzco Central Square, taking pictures with the tourists in exchange of a tip. Leon, Maribel's father does not have a regular job, which causes fights with Ines, his wife and the rest of the family.

The history of Frankenstein's journey from novel to stage to screen to icon.

Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.

Documentary about the making of 1935's "The Bride of Frankenstein."

Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.

Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

He was one of the most notorious Nazi war criminals, infamous for his assassination attempts on twins. But at the end of World War II, he simply disappeared...