Short documentary that lends a platform to the players on the Rattlers football team directly to speak on issues at their university they believe are impacting their student athlete experience. This is the story of FAMU football’s faith in their ability to speak out for what is right, and their fight for the respect and support they deserve as elite student athletes at the #1 public HBCU in America.

An "Ock-umentary" exploring the character of Doc Ock and the way he as well as his tentacles were brought to life on the silver screen.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.

This movie explores the history of electricity - from the first spark created by man's hand to today's industrial power plants. We meet scientists who changed the world, like Faraday, Franklin, and Tesla and we glimpse the future, as Solar Impulse becomes the first plane to complete a round-the-world flight powered only by the sun. With a mix of chalk animation, CGI, archival footage and spectacular aerials, the film also explores the challenges ahead: how to meet the growing energy needs of our industrialized world, while also protecting the health of our planet.

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

TV-documentary about the German actor Otto Eduard Hasse

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Documentary about the special friendship between the 72-year-old music machine collector Johann Bartisch and the 12-year-old farm boy Gerd from the village of Arnsgereuth. As a child, the Romanian Johann played "O sole mio" on the piano while his brother accompanied him on the violin. Even then, he was fascinated by the music machines that could be found at fairgrounds, in cinemas and on trains. As an adult, Johann began his passion for collecting in Bucharest, rescuing self-playing instruments from barns, cellars or even garbage dumps. With great attention to detail, Johann restores his found treasures in his 250-year-old schoolhouse in the village of Arnsgereuth.

Lost short film.

"Wolfe" is an intimate confessional from Nick, who learned through puberty that the imaginary friend in his head was real, and violent.

A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

This documentary reports on the master potter Otto Engelmann from Klingmühl, who was commissioned to make black painted clay heads of Karl Marx in the spring of 1973. Engelmann briefly explains the individual work steps from mixing the casting slip to firing the clay heads and then painting them. An old craft is vividly captured on camera and accompanied by original sou

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.