Mama's four girls are all newlyweds or engaged to be married. Four hubby/fiances plus inlaws = wacky complications.You betcha.

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There is no description

Julia, a young woman who sells tortillas in Alcozauca, Guerrero, lives a secret love affair with Miguel, her cousin. Despite social challenges, they try to maintain their relationship, but Miguel, under pressure, leaves her. Years later, Julia discovers that Miguel is getting married.

One day, young Li Na receives a call. It's from her little brother, who's home alone, waiting for his father to return. He's been gone for days and hasn't given any further signs of life. With the successive calls, the tension grows, as does Li Na's need to help, despite the insurmountable distance that separates them. Roberta Chávez breaks down the boundaries between social drama and urban thriller in a film that radiates a serene nostalgia.

In an evangelical house on the outskirts of a Brazilian megalopolis, a young trans man revisits his family after years. Gradually, what could be just a Sunday lunch turns into a suffocating plot of abuse and violence.

It's a day of waiting for the young boy Chico and his grandmother Rosa, both for better news from the hospital and for the lunar eclipse.

Alan hasn’t spent Christmas with his family in years. On a lonely night before the party, he falls asleep watching old family videos. When I wake up, something has changed.

Two friends meet and the news is given that the grandmother of one of them has died. What was supposed to be a moment of consolation ends up becoming a change of perspective on death.

Amanda’s perspective on her hometown changes drastically when she discovers that the simplicity and memories in Neves have shaped her true home.

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In a small town in the countryside of Paraná, its pioneers recall the early days there, while sharing a common love: coffee.

A woman haunted by grief and religious trauma finds her solitude broken by a stranger, but as night descends, so does something far older, and far more dangerous than she imagined.

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This hybrid documentary, crafted for the Psychosocial Processes II course at UNIRIOS, intricately weaves together contemporary perceptions of female aging in the Alto Sertão of Alagoas. Through the eyes and lived experiences of its central character, the film delves into the nuanced expressions of womanhood as it intertwines with the passage of time, offering an intimate exploration of identity and resilience in a richly textured cultural landscape.

Amid family arguments and unspoken tensions, Ângelo, a 20-year-old young man, faces prejudice at home while seeking his true identity. In the midst of chaos, a symbolic act transforms pain into rebirth.

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There is no description

There is no description