Trash is a coming of age drama set amongst the poverty stricken trailer parks of the deep South. In a spiraling tale of hatred, love and loyalty, two teenage friends realize that the only way for each of them to escape their miserable futures is by forever sacrificing the other.

The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.

Strong and independent Eliza works as the Polish teacher in a village school and begins an affair with local delinquent Stach. They have a child out of wedlock. When Stach is sent on forced labourer in Germany, Eliza and her child set off on an epic journey to be reunited with her lover.

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

A struggling country singer meets a Nashville songwriter in need of inspiration. Teaming up to write a song, their work gets complicated but results in both a hit song...and true love.

A young musician travels to Burning Man, a psychedelic festival in the middle of the Nevada desert, in an attempt to get the impetuous girl he has fallen in love with.

When Shima nearly drowns trying to retrieve a picture, he’s saved by a merman named Isaki. Despite their differences, they begin to bond, but love across species isn’t simple.

Sweetiee Weds NRI is a Bollywood comedy movie, directed by Hasnain Hyderabadawala and Written by Creative Director Tariq Mohammad. The movie stars Himansh Kohli, Zoya Afroz, Darshan Jariwalla and Kiran Joneja in lead roles.

A man obsesses over Rubia as the girl of his dreams, but she is lost in a world of her own as she obsesses after a man who doesn't know she exists.

When Brooke’s boyfriend, Ethan, breaks up with her just before the holidays, she agrees to go home with Joel, an actor who will pose as her boyfriend.

One day, Fumiko Tashiro runs into Ryota Saeki - an old acquaintance from college - outside the municipal library where she works. Brought together by chance, they find themselves drawn to one another, and before long they are set to get married. They make their preparations for the wedding, envisioning their happy future together. But all the while, Ryota is troubled by his own secret ability to see the dead.

While recovering from a suicide attempt, Ben Layten accidentally falls in love with a girl who was very nearly, almost his sister - and then things start to get weird.

The story of a spiritually scarred man whose life changes forever when he must return to his estranged family to help care for a brother who is suffering from brain cancer. With the help of a spiritually enlightened caregiver, he faces the demons of the past and a secret that has haunted him and his family for many years.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

A closeted boy runs the risk of being outed by his own heart after it pops out of his chest to chase down the boy of his dreams.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

The lives of a matriarch, her two sons, and her niece are never the same again as they come to terms with an indiscretion in the family. A pivotal decision is made and a downward spiral ensues wherein the outcome can be no less than earth-shattering.

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Paris, at night. Pierre lands up in a club, El Turrrf, and meets two young ladies. Pom and Clémentine are accustomed to the place and are not going to delay saying to him why they are here.

Tom is a down-and-out bond broker struggling to keep his business afloat, a legacy of his brother who passed away on 9/11. Claire is a fledgling actress from a small town starting over after a personal tragedy of her own. As their lives cross, Tom must face the decision to let go of his fears and acknowledge deeper feelings for Claire or withdraw to his comfort zone. Tom's best friend, Simone, has an identity crisis and an appetite for short-term gratification. Mario, Tom's wing man and a wine enthusiast, must contend with trappings that come with being a womanizer. In the urban maze of New York, the four struggle to say goodbye to old ways to find a better tomorrow.