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The story of how Jim Henson tried to convince broadcasters that The Muppets was a great idea and how he worked to get the characters on air where they became a comedy staple.

An adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later series, but with adult and sexual overtones and jokes including "mirror shoes" and others.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

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Tulio is forced by Sr. Manguera to put on a Christmas show, so he and the rest of the team put one together in record time. While Tulio discovers the true wrerwriwro of Christmas, Bodoque is in charge of going to look for the gifts, avoiding being tempted by Tío Pelado to bet on horse races.

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Conniving Broadway starlet Mida King has plenty of enemies, so when she's found murdered at Grand Central Station, Inspector Gunther calls together a slew of suspects for questioning. Mida's shady ex-flame, Turk, seems the most likely culprit, but when smart-mouthed private eye Rocky Custer -- also a suspect himself -- begins to piece together the crime, a few clues that Gunther has overlooked come to light.

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New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

Monty is a young cute rat in a rat world living beneath the streeets of Manhattan. When exterminator Dollart gets a new lethal spray to kill all the rodents, Monty, his friend Isabella and Jean-Paul Canalligator have to travel to magic land to make things right.

Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.

This is a 15-minute long puppet show that Sunrise (the company that has created Love Live! Sunshine!! and it's predecessor) made as an April Fool's joke. It looks like they put a lot of work into it, though!

Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.

Mounted on a modern set almost 32.8 ft, the show recreates the original spirit of the popular puppet news show. Tulio Triviño, Juan Carlos Bodoque, Patana Tufillo, Juanín Juan Jarry and the rest of the cast deliver live news of sublime importance: the launch of a giant pizza into outer space. In between, classics such as "Mi Equilibrio Espiritual", "Bailan Sin Cesar" or "Mi Muñeca Me Habló", in an online show dedicated especially to all that public that has accompanied them for all these years and who was left with the desire to be part of an unforgettable experience.

The comedy theater “Cabaret Toujour” by Maulwurf, Falkenhorst and Kalle couldn't be better. When Kalle, the star of the theater, begins his stage program, the audience knows no bounds. The polar bear also loves to celebrate himself backstage. Richy constantly has to deal with the crook Spec to get Kalle some stimulants. The “Theater der Freude” on the other side of town, on the other hand, is not doing well at all. The irredeemable ensemble of Kasper, Seppel, Gretel, Grandma, Svetlana and Bodo can no longer attract an audience. So Kasper devises a plan to kidnap Kalle and extort a ransom from Falkenhorst and Maulwurf to settle the outstanding bills.

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Bravely going where no ventriloquist has gone before, Nina Conti concocts a virtual zoo of puckish characters for this world premiere show. Talk to the Hand is an hour of nimble, profanity-strewn stand-up from the vibrant Nina Conti and her touring companions: the scruffy monkey, a posh-sounding owl-poet with a taste for generic verse, a Scottish granny, and the vodka-loving Lydia, recently purchased from another ventriloquist and yet to find a voice she likes. Her alter-egos come face to face with apparitions, special guests and real live humans which means you can rely on consistent lashings of warmth, technical brilliance, and vibrant wit.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.