Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.

L. Frank Baum would appear in a white suit and present his live actors, slide shows and films as a live travelogue presentation of his popular fantasies. Highlights include Dorothy being swept to Oz in various ways, such as with back-projection tornadoes and storms in a chicken coop. Lack of financial backing forced the show to fold after appearing in only two cities, despite being a critical and commercial success. This film is lost.

George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)

After the end of civilization, an aged man undergoes a mysterious journey through space and time that takes him through memories, visions, and historical events, ultimately transcending the limitations of the senses and into a new cosmic rebirth.

A collage of various excerpts from German TV channels, all recorded on Tuesday, June 16th, 2009 and arranged by Holger Kreymeier and shown without commentary in an attempt to cover the absurdities of a typical broadcasting day, inspired by Walter Kempowski's book "Bloomsday '97".

A dreamy video collage of digital photography and paper animation, set to Heavy Eyes by Loveth Besamoh.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

An archival fiction feature about the eternal battle of the sexes, in which two star-crossed lovers trapped in a kingdom of shadows fight to keep their love alive as they gradually fall in hate. Their names are Forever Man and Forever Woman. They are embodied by actors and actresses from long-gone eras, but also by cartoon characters and puppet animations. Together they narrate the story of the euphoric ups and tragic downs of human existence. When Forever Dies, a virtuoso collage of film fragments from the Eye Filmmuseum archive, is an epic ode to largely unseen cinema anchored in the polarizing world of today.

The mythic nature of cowboy masculinity is deconstructed in this scathing montage of re-contextualized sounds and images culled from advertising, television, arcade game footage and other pop culture iconography.

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

An experimental, mixed-media retelling of the Biblical story of Adam and Eve. Of course, when a story this old is told countless times throughout the centuries, a few important details are bound to get lost in translation...

The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.

An ancient king takes so long to build his palace it becomes his mausoleum. He recalls days of his life both cold and hot – unquenchable longing for power, insatiable desire tout court.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

A multimedia sex-ed video about life and love in a world where humans have corkscrew penises and corkscrew vaginas.

An audiovisual investigation into the way Spanish cinema has represented its audience throughout history, and a tribute to those who, for over a hundred years, have inhabited the theaters, mutually nurturing their deepest dreams and aspirations.

A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.

A man dissects his childhood teddy bear.

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Untitled is a collage film that combines the image and sound of Takashi Makino, the music of Lawrence English and the automatic writing text of Esperanza Collado, produced between March and June 2020, when the first attack of the coronavirus shook the world.