Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?

A story about children and adults who migrated from eastern Ukraine because of the war and found themselves far from home in a hostel for displaced people. This is a film about the everyday life and pain of refugees, about the search for small details that give strength to live and about adults who are tired of war. It is a self-reflection of refugees who believe that they will soon return home, without a clear understanding of when this will be possible and what awaits them there.

This film is a poetic exploration of the human spirit, resilience, and the transformative power of art in the face of unimaginable trauma.

Since 24 February 2022, when the Russian invasion of Ukraine began, several million refugees have already been taken in by Poles. In the Lublin region, near the Bug River, which marks the border with Ukraine and Belarus, farmers, shopkeepers, a photographer, and a teacher tell how their daily lives have been transformed by the outbreak of this war.

In February 2022, in Kharkiv, twin sisters Maryna and Vladyslava Alexiiva had to flee in the middle of the night under the bombs. In extremis, they take with them their bronze medals, won in Tokyo a year earlier in synchronized swimming. They took refuge in Italy for six months, then decided to return to Ukraine to reunite with their team. From then on, they were obsessed with a single goal: to win the gold medal in Paris in 2024.

If I could fly explores the trauma of a young girl, who fled from war with her sister and mum, leaving behind her dad. In her nightmares, she learns to fly and dreams flying to her father at the front, asking him to come home.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

There is no description

Michael Klier documents some ideas about Dresden while shooting three short films for the TV channel ARTE.

There is no description

Short documentary following poet and pilgrim, Sherman, on pilgrimage from his apartment in Salem to monasteries in Mount Angel, Oregon.

Provincial students of theater schools come to Moscow for a progressive art festival. This is the story of a clash between the capital and the province, young talents and stars, the "old" school and the "new"; a story that is looped - because it is repeated with each generation.

Short movie shows us a life in the Moscow Headquarter of the National Bolshevik Party and contains several interviews with a party members.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

Documentary about film.