A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.

This film tells the struggle of Armenian families migrated to Turkey/Istanbul who try to provide education for their children despite all the circumstances. In the core of this struggle, which started in 2003, there stands a dining hall centered school, located in a basement of a church where migrant children receive education from volunteer educators. During the film, the struggle of children living in a foreign land, their daily lives, their former habits and longings are told through the eyes of migrant children.

This is the story of a Greek physician who collects pendants and bracelets. This is the story of an Italian woman who has been fighting for 15 years to «make bodies talk.» This is the story of those who watch over the forgotten migrants.

The documentary begins when the fictionalized drama ends. Sara spent three years volunteering to save refugees on the same journey that made her so famous, and was suddenly arrested in Aug. 2018, accused by Greek authorities of running a criminal enterprise with charges including “international espionage and people smuggling.” If convicted, she faces up to 25 years in prison and the end of her humanitarian career. Shot over three years, the film follows Sara’s fight for justice and journey of self-discovery.

We accompanied an 8 months pregnant Yuri, who migrates with her partner Mike and her son Santi with one objective, to give birth in USA

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

In the Briançonnais mountains, in France, men and women on the roads of exile find the courage to cross the passes on foot, risking their lives. Arrived at the end of a long journey, exhausted, they do not know if they could settle down somewhere to start their life over. It is this transitional time that "The Adventure" tells. Ossoul, the Sudanese poet, Mamadou, survivor of an icy night at the Col de l'Échelle, Charlotte, Mother Courage and others are gradually getting back on their feet and settling to embark on a new life. Filmed over three years, "L'Aventure" is a story of resilience, friendships and revealed emotions. The portraits are drawn and deepened until everyone can recognize themselves in the other, put themselves in their place and understand them.

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

In California’s Central Valley, tucked between the county jail and the shooting range, 100 Mexican-American farmworking families live, love and strive at the Artesi II Migrant Family Housing Center. Until every December, that is, when they’re asked to leave.

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Czech anti-immigration and anti-Islam activists have decided to start building an empire. But do they really believe what they preach? And how is this activity perceived by those around them? The film, three years in the making, is generally about the rise and fall of the popularity of right-wing populist parties and specifically follows the failed political career of Petr Hampel and Martin Konvička. Amateur reporter Tomáš Měšt'an also comes to the fore, first as a cameraman and then as an active co-creator of conspiracy stories.

A fascinating, unsettling study of immigration in 1960s English cities.

La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

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More than 37,000 Chinese citizens entered the US illegally via its southern border in 2023, hoping to find a better life in America. Many more are following in their footsteps, often with young children in tow. To reach the Land of the Free, they embark on a most treacherous journey: the migrants first need to reach Ecuador, the country closest to the US that would grant Chinese passport holders visa-free entry. From there, they need to cross Colombia, Panama, Costa Rica, Nicaragua, Honduras, Guatemala and Mexico, all illegally, to reach California. In this documentary series, CNA correspondent Wei Du travels the route with the Chinese migrants, and try to understand why they've been driven to such desperation, and if the American Dream is all it's made out to be.

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As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.

An exodus of migrants settled in Tijuana and they hope to cross each day regardless of the consequences, the children tell us what they see, want and what they are willing to pay.

A video to commemorate the victims of the disaster that occurred on October 3, 2013, off the coast of Lampedusa. Its intention is to force the institutions and civil society, in the words of the director, to “name each and every one, to make us aware of how many names lost their bodies on one single day, in the Mediterranean sea”.