When he experiences chest pains, hopeless hypochondriac Bhagwant checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend to help him find a new husband for his wife Priya so he'll know she won't be alone once he's gone. He locates Priya's old college beau Fernandes. Meanwhile, Priya mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out of the house.

Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.

Shanta agrees to marry a lesser educated man.

Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?

A real estate baron Kehri Singh manages 'Preet Real Estate' which he runs in his daughter's name whom he consider's to be his lucky mascot. A sidelined and insulted Nikki Singh is ignored by his father and is considered to be insolent, useless and unlucky. In order to pay off a huge debt to a local criminal, Nikki sets off a chilling event that forces his father to revisit his dark past and confront a brutal truth.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

The film, set in the 1980s and 90s, chronicles the transformation of Bombay to Mumbai. The story is a cat and mouse game between a deadly don, Amartya Rao, who doesn’t think twice before killing, and there’s nobody who could stop him and a cop, who is dogging his every step.

When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on, one by one.

In the sweltering Arabian Gulf heat Ananda’s dreams of a better life than the one she left behind in India are shattered after her child is forgotten on a school bus. Armed with the dead child’s ashes, she stands up against society’s ‘invisible’ caste, demanding accountability and refusing the customary blood money.

Jennie, the atheist foreign wife of Akbar, son of pious and honest institutional head, finds life in her in-laws house stifling and agrees to participate in a dance program much against their protestations. A paralytic stroke makes her turn towards reading the Koran, which miraculously cures her of her ailment. She decides to devote the rest of her life in prayers.

Set in Mumbai, the story unfolds in a hospital that is under siege, where Vivaan Ahuja and his wife Anshika are trapped. Does he manage to rescue her and other hostages from the dangerous hoodlums?

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An anthology of four stories that explore the surprising ways in which unexpected catalysts inflame the uncomfortable emotions simmering under fractured relationships.

The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.

Based on a folk tale from Rajasthan, "Parinati" deals with the inherent tragedy of human avarice, which must inevitably lead to self-destruction. Ganesh, the protagonist, is a potter who leads a happy and contented life in a remote village. The only ambition he and his wife Kurjan share is to get their only son Laxman married and bring a daughter-in- law home. Destiny, however, has ordained otherwise. Ganesh is hand picked for his honesty and dedication by a local charitable Seth to become the caretaker of his inn in the middle of the desert. There, Ganesh and Kurjan meet a wealthy couple, who are greatly pleased with their service and hospitality. They offer to take their son Laxman to distant lands, teach him trade and make him fabulously rich.

A tale of two hearts, a story of young love. One heart belonged to the educated, rich man's daughter from City, "Chanchal." The other was simple good hearted "Chaila" from village.

Jhanvi Kaul is on trial for the murder of her lover and employer, Ranjeet Choudhary. A series of prosecution witnesses build a damning case against her - that the two of them had embezzled large sums of money, that she had another lover who is also a local goon and that a witness even saw her throwing the body of Ranjeet over her apartment balcony.

Ravi, a former safe-cracker, turns over a new leaf, taking a job managing a timber buisness and falling in love with Reena, the owner's daughter. His past catches up with him when his old partner, Robert, and Robert's girlfriend, Julie, demand his help with a recently robbed safe, refusing to take no for an answer.

Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.