Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.

BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.

An hour-long documentary on the life and career of actor David Gulpilil.

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

A serious crisis has shaken Spain since the referendum on self-determination and the proclamation of the independence of Catalonia by the government of Carles Puigdemont, bold actions firmly fought by the Spanish government by applying the constitutional article that allows it to place a region under guardianship. While Spain is on the verge of implosion, Europe is holding its breath.

Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.

Blind from birth, Dr G Yunupingu found his identity through song and the haunting voice that has already become legend. His debut album introduced Australia to the Songlines and culture of his Elcho Island community, but now Dr G Yunupingu finds himself increasingly torn between city and country, present and past, self and the community to which he owes so much.

Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.

On October 4, 2018, France celebrated the 60th anniversary of the Fifth Republic. It is a republic born in the throes of the Algerian War and one which—from the day it was founded by General de Gaulle until the presidency of a very Jupiterian Emmanuel Macron—has been assailed as a “Republican monarchy” by partisans of a more assertive parliamentarian state. By revisiting the struggle of those who dared oppose the new regime — only to suffer a crushing defeat on September 28, 1958, when they were barely able to garner 20% of the vote against the constitutional text — this film shines a powerful new light on the origins of the Fifth Republic and its consequences for the next 60 years. It is a constitutional debate that planted the seeds for a complete upheaval of the French political landscape, on the left in particular, and set the country in motion toward what would be called the Union of the Left.

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Not only has she got pink extensions, painted on eyebrows, glitter stockings and superman hotpants, Starlady’s a youth worker in some of Australia’s most remote and challenging places. And she reckons that hairdressing can improve people’s lives. Like a real life Priscilla, Starlady takes us on a Queen of the Desert journey to Areyonga, an indigenous community in Central Australia, where she’ll work with a group of curious and cheeky young people.

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.

Follows the incredible journey of Dave Welsman, a Sydney kids' magician determined to reboot his life with a grand illusion to make Uluru disappear. As Dave works alongside the Rock’s traditional owners and Indigenous Custodians to pull off this spectacular stunt, he discovers the profound cultural and spiritual significance of Uluru, and his own illusions about fame and success begin to disappear.

A compelling portrait of an extraordinary figure, Aboriginal WWI soldier Douglas Grant, featuring acclaimed Indigenous actor Balang Tom E. Lewis (in his final performance). Grant (c.1885-1951) was extraordinarily famous in his day, an intellectual, a journalist, a soldier, a reader of Shakespeare and a bagpipe player who could put on a fine Scottish accent. His life story connects Archduke Franz Ferdinand, Adolf Hitler, and Henry Lawson among other famous figures as he moved from Australia to Europe, UK and back. Lewis’s thoughtful and often playful reflections on Grant’s life, along with guest appearances from Max Cullen and Archie Roach, connect to the larger story of Australia’s tragic colonial history and its troubled relationship with First Australians.  

In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.