Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Clara, 15, feels a strangeness she can not express and who will lead her to commit an irreparable act.

Jean, 18 years old, is the prodigy heeler of his village rugby club. While his team is defending its title, he falls madly in love with Ayoub, a player from the opposing team. The brotherly relationship he has with his teammates turns out to be more fragile than he thought.

Aging painter Louis and his wife Michelle struggle to cope with Louis' advancing dementia.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

María rehearses Antigone the same way as she criticizes the government's actions; Ismene listens fearfully just as Irving reluctantly accepts the official version of a lie. Love only has consciousness in its disappearance; in the end the causes will be known, and only the memory of those who refuse to forget will be left with no consequence.

Ella, a young aspiring actress, stands at a crossroads, pondering her journey on the day of a career-defining audition. her career. No matter how small, every decision can change the course of her day, illuminating the subtle battles of everyday life. In the heart-vibrant chaos of Paris, Ella navigates the complexities of her identity: a foreigner, a woman, and a proud member of the LGBTQ+ community.

Rogelio (8) wants to unravel the mystery of death. When his parents send him off to Yucatán, he meets the Xibalba Monster, an old hermit who is sick but has made a deal with the Lords of the Underworld to remain amongst the living.

Florence Albertine is a 26-year old widow. Her husband, Charles, a soldier in the United States Confederate Army, left home ambitious and determined to resist invasion from the North and was killed in action by a Union cannon strike. Victor, their 7-year old son, understands why his father isn't coming home and cares for his mother through her own attempts to do the same.

Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.

Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

A weekend getaway in Newport, Rhode Island between three lifelong friends takes a vicious turn as one of them starts to slowly slip into insanity. A case that defined a small town.

Two prisoners have the perfect escape plan but something unexpected happens that changes everything.

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.