Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

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This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

Crew and cast members talk about the making of the 1962 film 'Das Geheimnis der schwarzen Koffer'.

Horst Wendlandt tells the story of his cinematic work since the sixties. The dialogue between the "old and the young filmmaker" creates a fascinating spectrum of German film of the recent past.

A behind-the-scenes look at the making of Rob Schmidt's 'Wrong Turn'.

Featurette on special make-up effects creator Stan Winston

Featurette on Eliza Dushku, who plays Jessie in 'Wrong Turn'

Fifty years ago, on Sunday, 2 March 1969, Concorde flew for the first time. Starting from this inaugural flight, the film goes back in time to the origin of the conception of Concorde.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

"My heart belongs to daddy / Majn harts gehert tsum tatn" - the same old love song. But now it is actress Basia Frydman who sings it in Yiddish accompanied by her musicians at home in Kjell Westling's living room. And Tate, that's Basia's lovely old dad Simon, doing his work in a hairdressing salon.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

A story from childhood and an indelible image continue to haunt Jamie many years later.

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Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Documentary about Busan International Film Festival founder Kim Dong-ho.

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.