A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A young woman's journey across the world following a set of cryptic clues.

An important man's death brings forth a secret, revealing a daughter from another woman, previously unknown to his wife - and bringing about the meeting of the two sisters.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Marram tells the story of a family on a Scottish Hebridean island. While they are going to great lengths to understand and revive a beloved son, the marram grass they need to thatch the roof over their heads recedes from a gradually eroding coastline.

A party entertainer must go to extraordinary heights to escape a house of horror

Kamandi and his friends Prince Tuftan of the Tiger Kingdom and humanoid mutant Ben Boxer are kidnapped by a gorilla cult dedicated to finding the reincarnation of their god, The Mighty One. Golgan, the cult’s leader, puts Kamandi’s team through a series of deadly tests to find if any of them know the secret of … The Mighty One.

The legendary rag-tag team of World War II outcasts – Captain Storm, Johnny Cloud, “Mile-a Minute” Jones, rookie Gunner and Sarge – find themselves marooned on an uncharted island in the South Pacific that is completely overrun with dinosaurs! Their would-be ally on this deadly mission, the mysterious and beautiful Fan Long of the Chinese Security Agency, tells them their job is to rescue the scientists that have been sent to study the time/space anomaly. Perhaps… but what is her mission?

SUFFERIN' SCARABS! Silver Age Blue Beetle is back! Thrill to the adventures of Ted Kord, alias the Blue Beetle, as he teams up with fellow Charlton Comics heroes Captain Atom, The Questions and Nightshade to battle the nefarious finagler of feelings, Doctor Spectro!

John Constantine wakes up in the eerie House of Mystery with no recollection of how he got there. Fortunately, Zatanna and his friends are all there. Unfortunately, they have a bad habit of turning into demons and ripping him to shreds, over and over again!

An unemployed, depressed creative-writing teacher attempts to restore his dignity in his daughter's eyes when everything else is lost.

In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.

Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.

María rehearses Antigone the same way as she criticizes the government's actions; Ismene listens fearfully just as Irving reluctantly accepts the official version of a lie. Love only has consciousness in its disappearance; in the end the causes will be known, and only the memory of those who refuse to forget will be left with no consequence.

Aging painter Louis and his wife Michelle struggle to cope with Louis' advancing dementia.