Metamorfosi is a veritable dance ballet on the rocks, performed by a great climber, Patrick Berhault, set on the picturesque French Riviera and the Lingurian coast. Berhault's movements, in the sea, in caves, on rocks and precipices, are extremely difficult but are above all executed to give the movement an aesthetic value. Matemorfosi is the story of a cycle without words, told with gestures and music. Climber Monica Dalmasso also participates in the film.

The permanence of awareness and the transient nature of ego. An external look into an internal awakening. The stark realization, the sudden death, and the everlasting peace.

Suffering is the sandpaper of our incarnation. It does its work of shaping us.

As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.

In the solitude of night, the veil of reality slips away to reveal our deepest fears.

As the day ends for a worn-out office worker, he encounters the mysterious gaze of a chimpanzee, sparking a silent exchange that prompts him to make an irreversible decision.

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

Esquizo takes place in a psychiatric hospital. A mental patient (Serena Vergano) is escorted into an operating room, where electrodes are attached to her scalp. The doctors dissect his brain and we enter the brain with a loud, jarring cry. In this space detached from reality, a group of actors perform elaborate interpretive dances. They jump, land on top of each other, place their hands on their bodies and form various shapes.

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.

Time passes. Life flows. Nature completes an entire cycle of life and death. Eve and Adam reinterpret and correct the myth of the tree of knowledge: the forbidden fruit makes us wise. As the earth revolves around the sun, the camera captures a baroque symphony of lights and colors. There is no digital manipulation: all the effects are produced analogically by the camera mechanism.

A nervous portrait of a Zagreb train station filmed from the tracks. The imminent impact leads to seeing stars. Super 8mm film with music by Barn Owl.

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.

A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.

“Belladonna Museum” is a short film that portrays a personal experience of a transgender woman in a tragic love relationship: it is a visual poetry that reinterprets iconic paintings from surrealism and post-impressionism to address themes such as emotional dependence, loneliness, objectification, the attachment and the abuse both emotional and physical.

Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore Henry takes place over the course of one day, in Moscow, Russia.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.