In 1879, during the Anglo-Zulu War, man-of-the-people Lt. Chard and snooty Lt. Bromhead are in charge of defending the isolated and vastly outnumbered Natal outpost of Rorke's Drift from tribal hordes.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

The true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner's name was Nelson Mandela.

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Tells the stories of four students who are turning their lives around at the Ithuteng Trust School.

Nova and National Geographic present exclusive access to an astounding discovery of ancient fossil human ancestors.

In Freedom Park, a squatter settlement near the platinum mines in SA, a network of former sex workers create Tapologo. They learn to be Home Based Carers for their community, transforming degradation into solidarity and squalor into hope. Catholic Bishop Kevin Dowling participates in Tapologo and raises doubts on the official doctrine of the Catholic Church regarding AIDS and sexuality in the African context.

During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.

Mandela’s legend is built on his absence, during his 27- year incarceration. In 1990, when Nelson Mandela is released, South Africa is waiting for their Messiah. But he doesn’t know it yet, he is the most famous political prisoner of the Planet. Will he be up to the challenge?

In the dying days of apartheid, three generations of women in a village in South Africa came together to create a community garden. They called it “the thinking garden” – hleketani in the local xiTsonga language – a place where women gather to think about how to effect change. Twenty-five years later the garden is still going strong, providing fresh vegetables and new opportunities for local people while helping to confront the ravages of climate change, poverty, and HIV/AIDS in a community pushed to the edge.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Included in this groundbreaking work are interviews with active farm attackers and serving police officers who confirm corrupt police are complicit in the mass‐slaughter of South Africa’s whites. Their truths are horrifying—a man and woman branded with hot irons and left to die. A husband killed in front of his wife and children. An elderly woman raped, another with half her face blown off from a shotgun. And they all share a common thread: revenge. This is a disturbing documentary—it wrought both an emotional and physical toll on all involved. What’s more, Katie was detained at the airport in South Africa on the orders of the African National Congress (ANC) for her work on this project because Plaasmoorde is the story—the truth—they don’t want you to see. We owe it to the victims—to our fellow man—to listen and to open our eyes to the truth.

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The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.

Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's rugby union team as they make their historic run to the 1995 Rugby World Cup Championship match.

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Just after the Anglo-Boer War, a dispute arises when Ester returns home from a concentration camp only to find that her cousin and her English-speaking husband have moved into Ester's house.

The film documents the key political issues in recent years in South Africa that have marked the demise of the African National Congress (ANC). These include the Marikana massacre in August 2012, whereby 34 striking miners were gunned down by the ANC government's police force. Rehad Desai documented this historic event in his 2013 film MINERS SHOT DOWN. He refers to the incident once again in his latest film and shows how the ANC is undermining its close connections to the trade unions it set up as a freedom movement under Nelson Mandela, and how students have also turned on the party to protest against tuition fees under the motto #FeesMustFall. The film's compelling footage unmasks the cynical despotism of corrupt president Jacob Zuma, who is chiefly responsible for the ANC's demise and its catastrophic losses at the most recent elections. It also introduces opposition movements that are challenging his now-untenable position.

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.