Religious and cultural reawakening inspires rebellion in a 19th century Norwegian village.

The movie takes place during World War II and depicts the true story of Jan Baalsruds amazing escape from the German army from the coast of Northern Norway and across the border to the neutral country Sweden.

The year is 1025 and Arnljot Sunvisson has returned home after a long journey to find that his betrothed has married another.

A young woman struggles to defend her Sámi heritage in a world where xenophobia is on the rise, climate change is threatening reindeer herding, and young people choose suicide in the face of collective desperation.

A woman returns home to her father and childhood home, after being gone for over 20 years. Her purpose for the visit is to deliver the message that her fathers former wife has passed away.

Elvira, a confident Sámi teenager, firmly believes that her lesbian single mother conceived her at a Danish fertility clinic. She often daydreams about her father, envisioning him as a charismatic movie star. However, her world is turned upside down when her real biological father unexpectedly steps into her life.

A drama about the manager Håkan Dahlin who has just been discharged from a clinic where he was treated for his alcoholism. In an outbreak of jealousy, Dahlin abuses his wife Inga and after that he is forcibly interned again. Inga is a nurse and she is now moving to a mountain village to work at a district clinic. During an emergency visit, she encounters her childhood sweetheart, the doctor Gunnar, and old feelings between them begin to flare up again.

Iida, an elderly Sámi woman, who has abandoned her roots under the pressure of forced Finnishization, is conflicted between selling her old homestead and hiding her cultural heritage from her niece, as the rural way of life she has suppressed begins to creep back in.

During summer 1979, Ester moves to Alta in Northern Norway to begin teaching at an elementary school. Like many Sámi at the time, she is ashamed of her heritage and conceals her ethnicity. Ester goes to great lengths to fit in, even joining in with the derogatory jokes. When her cousin Mikkhal takes her to a camp by the Alta River, where people are demonstrating against the building of a dam, Ester learns how the fight for the river is also a revolt against the years of brutal racism and discrimination against her people. After a major confrontation with the police, Mikkhal and some other Sámi decide to go to Oslo to hunger strike in front of the Parliament. Knowing what is at stake, Ester realises it is time to make a stand…

When Mats' grandfather dies the family opens a wooden box containing evidence of the family's Sami heritage. Why has this been kept secret? Why did they stop being Sami? And why do they know so little about their history?

Why are gooseberries so much more valuable than deer trees and why did the Sami men lay naked on the marsh in the past? How do you respond to a mock execution and what is actually panic attack? Ella and Moa are two girls with more questions than answers and during a summer night they approach a little cautiously of their Sami origin. —Jonas Selberg Augustsén

Birte from Aursfjord, a strong-willed young woman with extraordinary psychic abilities, falls in love with a Sámi, but is forced to marry a local man.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

The fate of a culture lies on the shoulders of few determined individuals.

On Saturday, April 26, spring came to Sweden. That same day, Chernobyl nuclear power plant exploded. Bringing mild winds to Scandinavia. Sweden suffered heavily of radioactive poison.

A man finds some glasses on the ground. When he puts them on he is transported into a Sámi world.

A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.