When a lockdown is announced in India, 22-year-old Mahesh finds himself stranded and decides to travel home on a rickety bicycle. He covers about 2,000 kilometers in seven days. It turns him into a national media hype.

A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.

A meandering brook of moments from two afternoons spent with Vinod Kumar Shukla, his wife and son at their home in Raipur, saunters between the mingling geographies of past, present and future, drifting in and out of pauses – to ponder, to reflect, to reminisce, and to share.

An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.

The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.

When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.

Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.

Celebrated actor Nayanthara looks back on her journey towards love and superstardom amidst personal struggles and triumphs in this intimate documentary.

Dancing is a passion of the rich, believes Manish Chauhan , the 21-year-old son of a taxi driver in suburban Mumbai. Yet he, like his friend, 15-year-old Amiruddin Shah daydream of becoming principal ballet dancers in big American companies.

Film made during the repressive days of the Emergency in India documents the 1974-75 uprising of the people of Bihar in Eastern India.

The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.

A documentary made by Ghatak observing the life of the Adivasis.

Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.

A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.

A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.

This documentary uncovers the dark events of 2024, when, for the first time in India’s history, a sitting Chief Minister and an entire political leadership were jailed without evidence.

I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.

Anxious, out of work and without access to transport during the nationwide COVID-19 lockdown in 2020, migrant labourers in India’s metropolises decided to walk back home to their villages en masse. As news channels beamed heart-rending silhouettes of millions of men, women and children marching along national highways with their meagre belongings, it became plain that the lockdown had already drafted one of the most traumatic chapters in the nation's modern history.