A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Aging painter Louis and his wife Michelle struggle to cope with Louis' advancing dementia.

In the big city of Bengaluru, schools are reopening after 2 years of virtual classes due to COVID-19. A little girl named Sukhi is still asleep without a care in the world however her mother is insistent that she be on time on her first day.

María rehearses Antigone the same way as she criticizes the government's actions; Ismene listens fearfully just as Irving reluctantly accepts the official version of a lie. Love only has consciousness in its disappearance; in the end the causes will be known, and only the memory of those who refuse to forget will be left with no consequence.

We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.

Jean, 18 years old, is the prodigy heeler of his village rugby club. While his team is defending its title, he falls madly in love with Ayoub, a player from the opposing team. The brotherly relationship he has with his teammates turns out to be more fragile than he thought.

A group of aliens searching for a new planet on which to make home, with little success. Promotional short for Dreamworks Animation's forthcoming feature, Home.

Sonic, Tails, and Knuckles encounter an abandoned Badnik drone which upgraded itself using parts from a junkyard, with the intention of conquering the world.

Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF / fantasy scenario of alien inexplicabilities that makes it an animated counterpart of the comic strips that were running in Métal Hurlant (and its US counterpart, Heavy Metal) in the late 1970s.

In the dead of night a troubled youth from an East London estate, Ray Marsden stalks into a hospital ward demanding to see the patient. The attendant Nurse, Lynne McDermott is sceptical about Ray's motives but gradually uncovers the truth about his violent past and in so doing makes a startling discovery that will change both of their lives forever.

A young woman's journey across the world following a set of cryptic clues.

Two prisoners have the perfect escape plan but something unexpected happens that changes everything.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A teenager defies her mother by training in secret for a town’s dangerous tradition to try and live up to her brother’s past successes.

Under the leaden sky of a summer day, Eric goes to work to defend a great issue. But, blinded by stress, Eric is forgetting the most important thing...

A nervous job candidate is forced to show much more than a positive attitude to save the life of her competitor.

15-year-old Klara is about to eat lunch with four other youngsters at the Eating Disorder Clinic under the supervision of the nurses. They have 30 minutes to eat up.

A misunderstanding leads to sombre consequences as two flatmates recall very different turns of event from the previous night.

A world, as spotless, bleak and cold as its uniform design is not a good place for a dreamer like Lutz. With as much courage as desperation, relying only on his skills and imagination, he faces a terrible fate and fights for his personal happy end.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.