Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.

Circa British Rule in India, a man vows to make his only surviving son, Narayan, alias Nani, a Brahmachari to atone for the deaths of five of his children. He takes this child to a remote village in Karnataka, South India, where he leaves his 11 year old son in the care of a learned Archarya, Udup Pandit. Here Nani gets to meet two other disciples of the Archarya, as well as his widowed daughter, Yamuna, and another male by the name of Shrikar Upadhyay, who also teaches the British how to read and write in Hindi. The Archarya goes away for a few days, and when he returns nothing is the same anymore. His daughter is pregnant, the villagers are all set to remove her from the village, they are also angry with him for refusing Yamuna to follow the traditional way of a Hindu widow.

An ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.

In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.

Amma Rajyam Lo Kadapa Biddalu (Kadapa Children in Mother's Kingdom) is a political satire film directed by Ram Gopal Varma and Siddartha Thatolu. It explores caste, dynasties, religion and their influence on politics in Andhra Pradesh, India.

Sivaraman belongs to a low caste and is a cobbler by profession. He was orphaned as a little boy and has since been brought up by a couple belonging to the lower caste. A trip to the 'agraharam' brings back memories of his childhood and he realises that he is in fact a Brahmin and the son of the head priest at the temple. Wishing to help his real family while at the same time unable to forget the parents who adopted him, he shuffles between the two vastly different worlds. Maheswar, a lower caste woman, waits for him back home while Gayatri falls in love with him in his new life.

In rural South India, 15 year old Vanaja goes to work for the local Landlady in hopes of learning Kuchipudi Dance. Initial chemistry with the Landlady's son turns ugly, pitching her into a battle of Caste and Animus.

Narayanappa, a Madhwa Brahmin man, dies in the Agrahara of the village Durvasapura. As per Madhwa customs, his last rites must be performed at the earliest. However, due to Narayanappa's rebellious actions in life, which included eating meat, consuming liquor and marrying a prostitute, there is disagreement amongst the Brahmins of the village as to who will perform his rites.

The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?

Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.

A fourteen year old Dalit (lower caste) boy in rural India is killed for writing a love letter.

Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.

A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.

On planet Amoi, a great society has developed, creating a computerized city called Tanagura, ruled by supercomputer Jupiter. The populace is almost entirely male and is based on hair color; anyone silver/blond are the elite, with dark/black hair as the bottom of society, often known as "mongrels". Blonds have "pets", which are usually young boys kept for a few years, who are especially made for performing sexual actions for the Blond's voyeurism entertainment. The pets are not supposed to be kept for long, nor are Blonds allowed to interact sexually with them; but one Blond, named Iason Mink, has kept a pet for years. Mink is also rumored to sleep with his pet named Riki and refuses to let go of him; despite Jupiter's disapproval. Riki fights with his emotions and society problems, unable to decide what to do about his old friend/lover Gai (Guy) and their gang. Iason is obsessed with keeping Riki, and Riki doesn't know what to do; fight against him or surrender to him.

Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.

An MLA and his son, who are from oppressed community, are forced to stand up against the privileged, arrogant scion of a late politician, who is determined to make them bow down to him.

Santya is an aggressive young chap, who is a matter of worry and fear for his family. When an Adivasi woman from Santya's neighborhood is raped and murdered by an upper caste man, Santya must make the journey towards becoming an Ambedkarite, in order to emancipate himself and help his community get justice and prosper.

A young IPS officer’s new posting in rural India has him confronting caste disparities and uncomfortable truths in the face of a gruesome crime. When three girls go missing in the fictional village of Lalgaon, two of them are found dead and there is no trace of the third one. Where is she and who is responsible for this heinous act?

A music shop owner falls in love with a girl from a circus troupe that visits his village, but caste and class stand in the way.

A state topper from a lower caste goes missing after an upper caste cop picks him up for questioning. What has happened to him?