Hanzi is a documentary exploring international design, visual culture, and identity through the lens of modern Chinese typography. The film covers a variety of topics such as how languages shape identity, and what role handwriting plays in the digital age.

Some argue that modern graffiti was born in Philadelphia, where the pioneers of wall-writing became citywide celebrities during the late 1960s and early 1970s. Graffiti eventually consumed the city, and a new mayor made it his top priority to fight back. In the process, the city's Mural Arts Program was born. Philadelphia is now a great outdoor museum. Yet graffiti still thrives, with new writers always ready to replace those who are caught or quit.

A documentary about calligraphy.

INK follows Tanja Tiziana – a freelance photographer in Toronto, Canada – and her journey to rediscover the written word.

In a comparative study between different forms of calligraphy, the film traces parallels between modern Japanese painting and traditional Japanese writing.

Through the eyes of twelve international artists "Traces of the soul" explores the world of contemporary calligraphy and why it is an increasingly relevant art form in this digital age. The film reveals how the art, philosophies, and life stories of these artists, whose diverse work is rooted in the ancient traditions of calligraphy, reflect and engage with the modern world.

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A woman with a body writing fetish seeks to find a combined lover and calligrapher.

Rumi is a rebellious yet intelligent and creative Islamic boarding student. While on a pilgrimage, he is stunned by a group of Sufi dancers he sees. This admiration inspires him to go to Turkey to participate in a calligraphy festival.

Edo, Japan. Calligraphists are not mere writers, they can bring drawings to life and utilize kanji. Three calligraphists from the art wielding clan join up and fight against an exiled calligraphist and his minions to protect the Tokugawa shogunate.

Inspired by the untold personal story of the 19th-century Chinese poet and revolutionary Qiu Jin, Wu Tsang brings to life, subverts, and re-enacts the lesser-known romance and friendship with calligrapher Wu Zhiying. Set in contemporary Hong Kong, the film shifts between time and space, past and present, fact and fiction through Tsang's continued exploration of language and misinterpretation.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A journey into the BBC archives unearthing glorious performances and candid interviews from some of Britain's greatest poets.

Eric Idle persuades Professor Brian Cox to present a lecture on the birth of the entire universe. Brian soon realises Eric is actually hosting a comedy and musical extravaganza.

The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).

Revealing bio-documentary giving an exclusive look into the life of one of the world's most admired and respected musicians as Bruce Springsteen explores and explains his greatest influences

A documentary about a rural family in Iran that has two teenage daughters, with their oldest child working to help the family. Together they face difficulties and obstacles, especially because she uses a motorcycle for work which is forbidden for women.