There is no description

Filmed live at London's Rainbow Theatre in December 1972, the innovative group Yes performs its progressive rock symphonies -- epic compositions that influenced new trends in contemporary music. "Yessongs" provides a visual record of the concert tour that became a groundbreaking tour de force in rock music. This unique concert video of Yes was filmed during their record-breaking tour and features the talents of the five original band members. The massively popular band defined the prog rock movement with their mystical epics which infused both a Medieval and Classical sound into rock music. Titles performed include "Close to the Edge," "All Good People," and "Roundabout."

Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.

AMBIENT TRIP COMMANDER is the story of Samantha Tapferstern, a geeky young woman who lives a rather dull life in a medium-sized European city. She works a mundane job at a synthesizer store and spends her lonely evenings playing RPG games. One day she receives a cryptic email from a hacker group inviting her to Lonetal, a village secluded somewhere deep in the European Alps. As we follow her journey to Lonetal, things become more sinister and a grand mystery starts to unfold…

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV +) and their wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.

New Order's Stephen Morris and Gillian Gilbert unpack a playlist of electro, pop and new wave classics spanning four decades. Stephen and Gillian have been married for 24 years and have been in New Order together for even longer, but they still manage to surprise one another with their musical tastes. While Stephen declares Captain Beefheart an early influence, Gillian confesses her teenage love for a disco classic. During an hour of top tunes, Stephen also reveals the moment he was mistaken for Stevie Wonder, and Gillian recalls how her Dad was a fan of punk. From Kraftwerk to Can, David Bowie to Kate Bush, Magazine to Grace Jones and many more, this stellar playlist by Stephen and Gillian is brimming with iconic performances.

An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it's an all-consuming passion.

In April 1989, in a liminal town near Mexico City, young teenager Violeta finds a way to bring her mother's synthesizers back to life with disastrous consequences for her and her father.

The Concerts in China was a concert tour by Jean Michel Jarre, notable for marking the opening of post-Mao Zedong China to live Western music, in 1981. Five concerts were held in the two biggest cities, for an estimated audience of 120,000 spectators, on October 21 and 22 in Beijing, and on October 26 through 28 in Shanghai.

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

Souvenir is the story of one of the most influential synth-pop bands of all time.

A clean-cut synth artist in Germany hopes to turn his career around with the help of a washed-up, erratic, publicity-crazed American manager.

Three legendary synth musicians compete in a cosmic battle for synth dominance, in this recently-unearthed concert from 1986.

The complete collection of Depeche Modes videos.

A short educational documentary on early electronic composition and synthesizers.

This documentary film focuses on the rapidly growing modular synthesis movement, the diverse artists creating soundscapes of emotionally charged content, and the developers pushing the boundaries of sonic invention with their community driven creations. Capturing this immediate creative vision and personal process from patch to pulse will be the journey we share.

Booka Shade cap off their 150-show world tour with a live concert DVD. Movements – The Tour Edition is out early next month. The CD/DVD package includes a CD version of Booka Shade’s 2006 album ’Movements’ alongside a DVD titled We Came To Dance, the centrepiece of which is a live concert filmed at Belgium’s Pukkelpop Festival on August 18th, 2007. The show features the usual Booka hits ‘Body Language’, ‘Mandarine Girl’ and ‘In White Rooms’ as well as two previously unreleased tracks, ‘We Came To Dance’ and ‘Monkey On My Deck’. DVD - We Came to Dance: Live at Pukkelpop 01. We Came to Dance 02. Night Falls 03. Trespass 06 04. Oh Superman 05. Karma Car 06. Unhealthy Pleasures 07. Monkey on My Deck 08. In White Rooms 09. Darko 10. Mandarine Girl 11. Blue Rooms 12. Body Language

Recorded live at Hammersmith Odeon, London - September 28, 1979