Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

One-man stage performance by English stage and screen actor Sir Ian McKellen. McKellen reprises roles over his career in the theatre (such as the works of William Shakespeare) and on film (such as Gandalf in J. R. R. Tolkien's The Lord of the Rings film series), while discussing anecdotes throughout his life and career.

Now hiring: top girls wanted for prestige positions. Must be self-motivated go-getters with an appetite for success. No timewasters. Marlene is the first woman to head the Top Girls employment agency. But she has no plans to stop there. With Maggie in at Number 10 and a spirit of optimism consuming the country, Marlene knows that the future belongs to women like her.

After the events of Revue Starlight ―The LIVE― #1 revival, Seiran General Arts Institute challenges Seisho Music Academy to a revue with the right to perform the play "Starlight" at stakes. Who will win this Cultural Exchange Program?

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.

TV-recording of the famous Swedish comedy play Djingis Khan, first performed in 1954.

Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

10 year anniversary revue for the Knäppupp company, performances of both old and new material.

Fifty years after Richard Wesley's original production of Black Terror, Richard Lawson directs a bi-coastal cast of revolutionaries on a daunting mission to free their people. As the Black Comrades Keusi, M'Balia, Geronimo, and Ahmed fight on the edge of life and death, the divide between them intensifies and widens.

Christopher, fifteen years old, has an extraordinary brain – exceptional at maths while ill-equipped to interpret everyday life. When he falls under suspicion of killing Mrs Shears' dog Wellington, he records each fact about the event in the book he is writing to solve the mystery of the murder. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

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A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.

Based on Shakespeare’s play, Timon of Athens tells the tale of conspicuous consumption, debt and ruin. Timon of Athens is a wealthy friend to the rich and powerful. With his riches, he showers hospitality on the city’s elite. Unfortunately, his associates don’t lend him a helping hand when he accidentally spends more than he has on resources. After a final banquet, Timon is forced to withdraw himself to a wasteland, living off nothing but roots and cursing bankrupt Athens.

As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.

Someone is taking the Doctor's past selves out of time and space, placing them in a vast wilderness – a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.