A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

A 10-year-old boy and his father support themselves by pulling a cart through Bombay's chaotic traffic. One day when they visit the doctor, they are told that they should change jobs. A visual and sound intensive documentary about a nightmarish traffic situation beyond all control.

Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.

Keeper of the Mountains is a portrait of Elizabeth Hawley and her unlikely key role in the Golden Age of Himalayan mountaineering, her defiance of the traditional gender roles of her day and her decision to settle alone in Kathmandu in 1960, where she has famously lived life on her own terms ever since. Hawley, 91 and a former journalist, maintains the world's largest and most treasured archive of Himalayan mountaineering expeditions and her work is trusted by news organizations and publications around the globe. All this despite never having climbed a mountain herself.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Kim Kardashian is the embodiment of our times. She's a total social figure. To analyze her is to talk about ourselves, our relationship with social networks, capitalism and aesthetic standards. Through the eyes of journalists Nesrine Slaoui and Guillaume Erner, this film proposes a theory in the zeitgeist, crossed by questions of race and gender. Journalist and sociologist Guillaume Erner wonders why Kim Kardashian is the most followed woman in the world on social networks "when she does nothing". With the help of journalist and director Nesrine Slaoui, he paints a portrait of this "total social character", who is famous because of... her fame. Fashion icon, star of a never-ending reality TV family saga, savvy businesswoman, future lawyer and activist outraged by the state of American prisons, the beautiful Kim, who is said to be tempted by a political destiny, is in fact not idle at all...

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Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.

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This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

The story of January 6, 2021, where approximately 2000 people stormed the US Capitol to stop the certification of the Electoral College Votes, killing some and leaving over 140 injured. A firestorm of angst, anger, violence and confusion.

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After a big flood some Calabrian children are sent to Milan.