A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.

A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Across the country, an engaged woman becomes convinced that they belong together, despite their never having met. Will their paths collide despite the odds?

A woman moves into a Manhattan apartment, where she learns that the previous tenant's life ended under mysterious circumstances.

A coincidental meeting takes place in a cemetery between a clown and a widow. A soulful, unique, communication develops that helps both cope with their loss.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader. He knows that revenge can only be attained by infiltrating Cutting's inner circle. Vallon's journey becomes a fight for personal survival and to find a place for the Irish people.

Jop's daughter and the only woman in this unknown place attracts the attention of many curious men. Jop lets the men admire Mayra. In exchange they must offer him a gift. One day a traveler arrives with an interesting present…

A film about friendship between forsaken boys.

Gnawed at by his desires as much as by his frustrations, sixteen-year-old Thomas is having difficulties in shaping his identity. To such a degree that it will soon be impossible for him to contain this muted rage driving him. But far from destroying him, anger is his first impulse toward freedom.

It is a lyrical and experimental film that depicts the chance encounter between a suicidal banker and a street musician haunted by the ghosts of his past. These two lost souls, whose paths would never ordinarily cross, form an unexpected bond.

Approaching Rudi's execution (Mirna's Husband), Mirna was asked to come to the prison with a Lasagna. Her husband wishes to enjoy the Lasagna with Mirna for the very last time. But when Mirna came with the Lasagna, Rudi chooses not to eat it.

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

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