The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.

Seemayer Studios presents a new documentary about the American Hotel in downtown Los Angeles and the Arts District that surrounds it. Since 1979, the American Hotel has been the beating heart of a rich community of artists who began moving into the deserted factory buildings between Alameda and the Los Angeles River.

Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.

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Discover the extraordinary life and art of John Craxton in this captivating documentary feature. From early success with Lucian Freud to his vibrant years in Greece and Crete, Craxton’s bold, colorful paintings mirrored his passionate personal life and relationships with icons like Lee Miller and Margot Fonteyn. This film unveils how his artistic genius and unconventional lifestyle cemented his legacy as one of the most celebrated English artists of the 20th century.

With the construction of the Indian planned city of Chandigarh, the Swiss and French architect Le Corbusier completed his life's work 70 years ago. Chandigarh is a controversial synthesis of the arts, a bold utopia of modernity. The film accompanies four cultural workers who live in the planned city and reflects on Le Corbusier's legacy, utopian urban ideas and the cultural differences between East and West in an atmospherically dense narrative.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

Ron Padgett (1942- ) is a poet and editor whose artistic career took off during his teenaged years in Tulsa, Oklahoma. There, along with Joe Brainard and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Padgett and Brainard serendipitously moved together to New York City, where Padgett studied at Columbia University under the tutelage of Kenneth Koch and interacted with various Beat poets. He has taught poetry at various schools in the City, edited volumes such as the Full Court Press and Teachers & Writers Magazine and written volumes of poetry including 2013’s Collected Poems which won the Los Angeles Times Book Prize. He also wrote “memoirs” of both Brainard and fellow Tulsan Ted Berrigan.

Filmed over three years, the documentary is an unprecedented record of a major artist at work. It captures David Hockney's return to England after 25 years in California. As he approaches the age of 70, he decides to re-invent his painting from scratch, working through the seasons and in all weathers out in the Yorkshire countryside - ending up with the largest picture ever made outdoors. It is at once the story of a homecoming and an intimate portrait of what inspires and motivates today's greatest living British-born artist as time runs out. Winner of Best Essay award at the International Festival for Films on Art in Montreal and nominated Best Arts Documentary by the Grierson and International Emmy Awards. Premiered on BBC1, the documentary appears in a special extended 60' version.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Your War (I'm One Of You) chronicles the life and career of Chicago's Tim Kinsella, frontman of ever-shifting band Joan of Arc and '90's pioneers Cap'n Jazz. With appearances from Tim's friends, family, and admirers, we learn what has made his legacy so unique and enduring for more than 20 years.

An intimate portrait of David Hockney, featuring interviews with the artist - one of Britain's most beloved painters - in London and Normandy, and exclusive new footage of a master at work.

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This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

The story of original influencer Coco Chanel, whose designs still represent the zenith of female sexuality, style and power.

A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira "the Prado museum of prehistory".