Three siblings come to Super Star Lee Hyo-ri.

Lu and Fati are teen mums living in a religious shelter in Buenos Aires. Sister Paola arrives there to take her final vows. But the girls’ impending motherhood faces her with a challenging situation.

Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.

Mateo and his boyfriend, Marc, arrive home after a night out with Luke, a guy they've just met. After an argument, Mateo leaves the flat and bumps into Jon, a drug dealer they have called. Mateo convinces Jon to take him to his house where he discovers he can't feel anything if it's not through pain.

Vincent has a secret that forces him to stay away from the people he loves. But when he meets Gustav, love strikes Vincent. As their love grows, so does his fear of letting his secret destroy his new lover.

Jasper, a 20 something playboy with little empathy, has a date in a rather obscure motel Petit Ami with Vincent, a mysterious older man. For Jasper just another day on the job, until he discovers Vincent's secret.

18-year-old Rodrigo is arrested by the police in a televised raid on the club where he works as a drag queen.

A filmmaker's life isn't an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

In an attempt to get closer to his father, Leonardo starts filming him in his everyday life. As days go by, Esteban notices the camera and uses it as a means of communicating with his son.

On a drive back home in a dirty car, three young women talk about other people. Their conversation flows naturally, and takes them into uncharted territory.

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

Liam, an 18-year-old grappling with unrequited love decides he is going to eat a slug to impress a girl. He is interrupted by Mandy, a masked middle-aged woman who emerges from a rattling old fridge. Mandy claims to be Liam's wife from the future, urgently pleading with him to avoid eating a slug he found in the garden. Mandy reveals that the slug harbors a deadly parasite that will paralyze Liam for 17 years, derailing his life and leading to their eventual meeting in a rehab center. Despite his initial disbelief and mockery, Liam's curiosity and fear gradually give way to a reluctant acceptance of her bizarre story. Mandy's desperate bid to save Liam from a tragic fate culminates in a heartfelt connection. Her mission, however, also carries a poignant consequence: ensuring Liam's safety means erasing the future where they fall in love.

Sandy is a drama school graduate and has asthma. Tonight she will be performing at the theatre. Before that, she has to teach a yoga class, work as a clown and go to an audition. In this equation, she somehow has to try and fit in Spiros, her boyfriend.

One day, high school freshman Minzy finds a photo of herself changing clothes in the school locker room. Class leader Hyejin, who is not close to minzy, points out that the new teacher is the suspect to her. Minzy and Hyejin collect evidences to prove that the teacher takes pictures of high school girls secretly. When Minzy and Hyejin report the teacher's behavior to another teacher, Minzy realizes something unexpected.

The end of a relationship leaves a woman desperate to reassert her independence by overcoming her driving phobia. But when she finds herself in the driver's seat, she turns into a compulsive oversharer who can't start the car. Luckily, her new driving companion won't let her off the hook so easy.

An ambitious understudy’s respect grows to obsession.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Living on a shoestring in Montreal, a Vietnamese mother must act in bad faith to assert her right to buy 12 discount laundry detergents that she's been refused at a grocery store.