Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

The film sketches the creative life of the protagonist Kapila. The film’s narrative is structured as one day in the life of a Koodiyattam performer.

Emmy Award winning documentary, directed by Peter Rosen, about the Eighth Van Cliburn International Piano Competition in 1989, featuring interviews with the contestants and jurists, and footage from rehearsals and performances, including by competition winner Alexei Sultanov.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

This is a full-length documentary honoring the life and work of American composer and artist John Cage. Cage is considered one of the most influential composers of the 20th century. This documentary features interviews with various personalities from different fields as they introduce us to the life and work of this great American artist.

Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.

A documentary that explores the challenges that a life in music can bring.

There is no description

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

Seven choreographers work tirelessly to both question and embrace their chosen form, producing work that celebrates the strange, startling and poetic beauty of dance and performance. Curated by Gia Kourlas. Narrated by the choreographers.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Movie and stage icon Debbie Reynolds hosts the making of "Singin' in the Rain". The short documentary includes Donald O'Connor, who played the comical "Cosmo Brown", Stanley Donen, one half of the directors next to Gene Kelly, and Kathleen Freeman, who played Phoebe Dinsmore, Lina Lamont's (Jean Hagen) voice coach.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

You could be forgiven for mistaking Charlie Siem for James Bond. Whether he's driving an orange Porsche to his cliff-top Monaco mansion, ordering martinis or looking suave in a designer suit, he is a man on a mission. It isn't to hunt down SPECTRE, but to find perfection in everything he does. Whether it's performing on stage, recording albums, or selecting a suit, Charlie demands the best, of himself and others. Despite an entourage dubbed ‘Charlie's Angels', he's lonesome, and complains that people can't relate to him. Danish filmmaker Eva Mulvad, with patience and panache, delves into this life of privilege to find commonalities of ambition and desire.

For the first 18 years of her life, Mozart’s sister shared equal billing with her brother. Musical partners and collaborators, Wolfgang Mozart and Maria-Anna Mozart played together before Kings and Queens, and were the talk of Europe. What happened to her? Forced into retirement by age 16 because she was a woman, a stunning new investigation explores why she was retired against her will and the explosive theory: did Maria-Anna Mozart continue to compose in secret?

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.