In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days.

At Evergreen Primary School in Wuhan, China, a Grade 3 class learns what democracy is when an election for class monitor is being held. Three children are chosen by the teacher as candidates and they have a few days to campaign and convince their classmates to vote for them. The little candidates are seen at school and at home, where their parents do their best to make sure their child will win the election.

The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.

The absorbingly cinematic Ascension explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

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Mao Zedong was not only a revolutionary leader and thinker, he was also a poet. In poems written in the classic calligraphic tradition he expresses his experiences and visions. In this film, 8 of Mao's poems are sung, recited and interpreted: 'Changsha' (1925), 'Jinggang Mountains' (1928), 'The Long March' (1935), 'Snow' (1936), 'The People's Liberation Army Captures Nanjing' (1949), 'Swimming' (1956), 'Reply to Comrade Guo Moruo' (1961) and 'Reascending Jinggang Mountains' (1965). Through these poems we get a picture of the Chinese revolution from its first beginning in 1921 until the Cultural Revolution. The poems of Mao Zedong have been published in more than 57 million copies

Red Guards were a student movement supported by Mao Zedong in 1966-67 during the Cultural Revolution. A group of students at Qinghua University who issued 2 big-character posters in May-June 1966 called themselves Red Guards. The students criticised the university administration of elitism and bourgeois tendencies. In August 1966 Mao Zedong expressed support for the Red Guards. This gave the student movement political legitimacy and it spread outside Beijing. The Red Guards started to attack the Four Olds and marched across China to eradicate old ideas, old cultures, old customs and old habits. Ultimately the struggle between different Red Guard factions led to a chaotic civil-war-like situation. During 1967-68 the Peoples Liberation Army got the movement under control and restored social order. Beginning late 1968 members of the Red Guard movement were sent to the countryside to undergo re-education. We met and filmed them in August 1971.

10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

Follows Long Island’s Mary Lamont Band on their groundbreaking 23,000-mile tour in six cities and provinces across mainland China in 2002.

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In the 19th century, China held the monopoly on tea, which was dear and fashionable in the West, and the British Empire exchanged poppies, produced in its Indian colonies and transformed into opium, for Chinese tea. Inundated by the drugs, China was forced to open up its market, and the British consolidated their commercial dominance. In 1839, the Middle Empire introduced prohibition. The Opium War was declared… Great Britain emerged as the winner, but the warning was heeded: it could no longer depend on Chinese tea. The only alternative possible was to produce its own tea. The East India Company therefore entrusted one man with finding the secrets of the precious beverage. His mission was to develop the first plantations in Britain’s Indian colonies. This latter-day James Bond was called Robert Fortune – a botanist. After overcoming innumerable ordeals in the heart of imperial China, he brought back the plants and techniques that gave rise to Darjeeling tea.

During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance"). However, on Changbai Mountain in Northeast China, a farmer named Guan Yunde decided to start designing and building traditional Manchu shaman drums. At age 70, he is one of a minority of ethnic Manchu people in China's Jilin province, and one of the few people keeping the Manchu shamanic tradition alive.

SHANGHAI GHETTO recalls the strange-but-true story of thousands of European Jews who were shut out of country after country while trying to escape Nazi persecution in the late 1930s. Left without options or entrance visas, a beacon of hope materialized for them on the other side of the world, and in the unlikeliest of places, Japanese-controlled Shanghai. Fleeing for their lives, these Jewish refugees journeyed to form a settlement in the exotic city, penniless and unprepared for their new life in the Far East. At the turn of the new millennium, filmmakers Dana Janklowicz-Mann and Amire Mann boldly snuck into China with two survivors and a digital camera to shoot at the site of the original Shanghai Ghetto, unchanged since WWII.

The supermarket chains used to seem unbeatable, capturing the lion’s share of the grocery market. But for some years now they have been in crisis. In the wake of a fierce price war, retailers are resorting to increasingly aggressive commercial negotiation methods at the expense of suppliers, farmers and producers. Further competition is coming from the tech giants as Amazon and Alibaba invest in the food industry. What are the implications of all these changes on working conditions, the quality of our food and the future of our planet?

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Thousands of terracotta warriors guarded the first Chinese emperor's tomb. This is their story, told through archeological evidence and reenactments.

Barbara Wong interviews HK women (of all ages (even 4 year olds), all walks of life, all sexual preferences, singles, wives, mistresses, prostitutes) with an all women crew and gets some wild and frank responses. The documentary is bold, honest, funny and touching. Highly recommended to any man who wants to understand women better and any woman who wants a fun girls' night out.

Chai Jing's documentary about the massive smog problem in China. Chai Jing started making the documentary when her as yet unborn daughter developed a tumour in the womb, which had to be removed very soon after her birth. Chai blames air pollution for the tumour. The film, which combines footage of a lecture with interviews and factory visits, has been compared with Al Gore's An Inconvenient Truth in both its style and likely impact. The film openly criticises state-owned energy companies, steel producers and coal factories, as well as showing the inability of the Ministry of Environmental Protection to act against the big polluters.